| Music’s “Non-Political Neutrality”: When race dare not speak its name W Froneman, S Muller Fault Lines: A Primer on Race, Science and Society, 2020 | 36* | 2020 |
| The ethics of data-driven personas J Salminen, W Froneman, S Jung, S Chowdhury, BJ Jansen Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing …, 2020 | 15 | 2020 |
| Pleasure beyond the call of duty: Perspectives, retrospectives and speculations on boeremusiek W Froneman | 14 | 2012 |
| Composing According to Silence «: Undecidability in Derrida and Cage's" Roaratorio W Froneman International review of the aesthetics and sociology of music, 293-317, 2010 | 10 | 2010 |
| Subjunctive pleasure: the odd hour in the boeremusiek museum W Froneman Popular Music 33 (1), 1-17, 2014 | 6 | 2014 |
| Crisis? What Crisis? S Muller, W Froneman SAMUS: South African Music Studies 34 (1), vii-xviii, 2015 | 5 | 2015 |
| She danced alone: Jo Fourie, songcatcher of the Groot Marico W Froneman Ethnomusicology Forum 21 (1), 53-76, 2012 | 5 | 2012 |
| Who is in the sample? An analysis of real and surrogate users as participants in user study research in the information technology fields J Salminen, S Jung, A Kamel, W Froneman, BJ Jansen PeerJ Computer Science 8, e1136, 2022 | 4 | 2022 |
| Seks, ras en boeremusiek: agter die retoriek van gebrekkige sanglus by die 1938-Voortrekkereeufees: geesteswetenskappe W Froneman Litnet Akademies:'n Joernaal vir die Geesteswetenskappe, Natuurwetenskappe …, 2014 | 4 | 2014 |
| After Fame: A Micro-Ethnography of Popular Late Style W Froneman Popular Music and Society 41 (4), 424-439, 2018 | 3 | 2018 |
| Music and landscape: two tales of borehole drilling in the Karoo W Froneman cultural geographies 22 (4), 713-722, 2015 | 3 | 2015 |
| The Ethical Incomplete S Muller, W Froneman SAMUS: South African Music Studies 38 (1), 1-5, 2019 | 2 | 2019 |
| Ex-Centric Hermeneutics in Stephanus Muller's Nagmusiek W Froneman Royal Musical Association Research Chronicle 49, 179-194, 2018 | 2 | 2018 |
| Editing for change: From global bibliometrics to a decolonial aporetics of form in South African journal publishing W Froneman, S Muller Transformation in Higher Education 7, 175, 2022 | 1 | 2022 |
| De lô in fallist times W Froneman, S Muller SAMUS: South African Music Studies 36 (1), i-xi, 2018 | 1 | 2018 |
| The riches of embarrassment W Froneman Critical Arts 25 (2), 309-315, 2011 | 1 | 2011 |
| The desire for the ineffable: on the myth of music as absolute W Froneman Koers: Bulletin for Christian Scholarship= Koers: Bulletin vir Christelike …, 2009 | 1 | 2009 |
| Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment W Froneman Twentieth-Century Music 20 (2), 215-243, 2023 | | 2023 |
| The ears of apartheid W Froneman Social Dynamics 49 (1), 100-115, 2023 | | 2023 |
| Who is in the sample? An analysis of real and surrogate users as participants in user study research in the information technology fields S Jung, A Kamel, W Froneman, BJ Jansen PeerJ Inc., 2022 | | 2022 |
