| Autonomy and dependency in two successful UK film and television companies: An analysis of RED Production Company and Warp Films A Spicer, S Presence Film Studies 14 (1), 5-31, 2016 | 21 | 2016 |
| The contemporary landscape of video-activism in Britain S Presence Screening Alternative Worlds: Marxism and Film Activism. New York: Berghahn …, 2015 | 19 | 2015 |
| Biologically inspired deadbeat control of robotic leg prostheses M Pi, Z Li, Q Li, Z Kan, C Xu, Y Kang, CY Su, C Yang IEEE/ASME Transactions on Mechatronics 25 (6), 2733-2742, 2020 | 14 | 2020 |
| An investigation of affect in the cinema: Spectacle and the melodramatic rhetoric in Nil By Mouth S Presence Frames Cinema Journal 2, 24-47, 2012 | 13 | 2012 |
| United Kingdom: film funding, the “corporate welfare system” and its discontents J Newsinger, S Presence Handbook of State Aid for Film: Finance, Industries and Regulation, 447-462, 2018 | 11 | 2018 |
| The political avant-garde: Oppositional documentary in Britain since 1990 S Presence University of the West of England, Bristol, 2013 | 9 | 2013 |
| GO WEST! 2 Bristol's Film and Television Industries A Spicer, S Presence, A Frymus University of the West of England, 2022 | 7 | 2022 |
| ‘Britain’s First Media Centre’: A History of Bristol’s Watershed Cinema, 1964–1998 S Presence Historical Journal of Film, Radio and Television 39 (4), 803-831, 2019 | 7 | 2019 |
| Organizing counter-cultures: challenges of structure, organization and sustainability in the Independent Filmmakers Association and the Radical Film Network S Presence Screen 60 (3), 428-448, 2019 | 7 | 2019 |
| The finance and production of independent film and television in the UK: A critical introduction S Presence Building successful and sustainable film and television businesses: A cross …, 2017 | 7 | 2017 |
| Contemporary Radical Film Culture: Networks, Organisations and Activists S Presence, M Wayne, J Newsinger Routledge, 2020 | 6 | 2020 |
| Reel News in the Digital Age: Framing Britain's radical video-activists S Presence The Routledge Companion to Cinema and Politics, 103-111, 2016 | 6 | 2016 |
| Keeping it Real: Towards a Documentary Film Policy for the UK S Presence, A Spicer, L Green | 3 | 2020 |
| The political avant-garde on Channel 4 in the 1990s S Presence Cinema, Television and History: New Approaches, Newcastle upon Tyne, UK …, 2014 | 3 | 2014 |
| Freelance networks, trade unions and below-the-line solidarity in regional film and television clusters: An interview with the Bristol editors network S Presence Journal of British Cinema and Television 16 (2), 233-249, 2019 | 2 | 2019 |
| Maintaining a Critical Eye: oppositional documentary on Channel 4 in the 1990s S Presence Cinema, Television and History: new ap proaches, 85-101, 2013 | 2 | 2013 |
| Making it real: A policy programme for UK documentary film S Presence, A Quigley, A Spicer Bristol: UWE Bristol, 6, 2021 | 1 | 2021 |
| Go West 2! Bristol’s Film and TV Industries S Presence, A Spicer UWE Bristol, 2022 | | 2022 |
| Documentary Distribution: Making it Work in an Ever-Changing Landscape S Presence, A Quigley The Formation of Film Audiences: Conference Proceedings, 2021 | | 2021 |
| Community access S Presence, P Davanzo, L Marr Contemporary Radical Film Culture, 234-239, 2020 | | 2020 |
