| Why Chinese people play Western classical music: Transcultural roots of music philosophy H Huang International Journal of Music Education 30 (2), 161-176, 2012 | 66 | 2012 |
| Yaogun Yinyue: rethinking mainland Chinese rock ‘n’roll H Huang Popular Music 20 (1), 1-11, 2001 | 50 | 2001 |
| Voices from Chinese rock, past and present tense: social commentary and construction of identity in Yaogun Yinyue, from Tiananmen to the present H Huang Popular Music & Society 26 (2), 183-202, 2003 | 38 | 2003 |
| Billie Holiday and tempo rubato: Understanding rhythmic expressivity H Huang, RV Huang Annual Review of Jazz Studies 7, 181-200, 1994 | 27 | 1994 |
| Voices from Four Directions: Contemporary Translations of the Native Literatures of North America B Swann U of Nebraska Press, 2004 | 26 | 2004 |
| Music Appreciation Class Broadening Perspectives: Multicultural music can be introduced into the standard music appreciation course in several ways that are concise and relevant H Huang Music Educators Journal 84 (2), 29-33, 1997 | 19 | 1997 |
| Speaking with spirits: The Hmong Ntoo Xeeb new year ceremony H Huang, B Sumrongthong Asian folklore studies, 31-55, 2004 | 17 | 2004 |
| She Sang as She Spoke: Billie Holiday and Aspects of Speech Intonation and Diction H Huang, R Huang Jazz Perspectives 7 (3), 287-302, 2013 | 11 | 2013 |
| Teaching Piano in China: Building Transcultural and Transhistorical Bridges through Music Education H Huang, T Thibodeaux International Research in Higher Education 1 (2), 25-33, 2016 | 10 | 2016 |
| Enter the Blues: Jazz Poems by Langston Hughes and Sterling Brown H Huang Hungarian Journal of English and American Studies (HJEAS), 9-44, 2011 | 10 | 2011 |
| Afterthoughts: Nature, culture, and shamanism in inner Mongolia, PRC H Huang EnviroLab Asia 3 (3), 2, 2020 | 7 | 2020 |
| Nature and the spirit: tri hita karana, sacred artistic practices, and musical ecology in Bali H Huang, J Rockwell EnviroLab Asia 3 (2), 2, 2020 | 6 | 2020 |
| What we learned about music in China: Teaching piano lessons in the PRC H Huang, T Thibodeaux American Music Teacher 66 (6), 14-19, 2017 | 5 | 2017 |
| How piano technique changed over 300 years H Huang, H Lee Clavier 36 (2), 31-33, 1997 | 5 | 1997 |
| Nature and the spirit: Ritual, environment, and the subak in Bali H Huang EnviroLab Asia 3 (2), 1, 2020 | 4 | 2020 |
| Transcultural aspects of music: What did Confucius say? H Huang, RS Allen The American Music Teacher 49 (5), 33, 2000 | 4 | 2000 |
| Xiao Youmei: Chinese Musical Patriot or Comprador Germanophile? H Huang Sino-German Encounters and Entanglements: Transnational Politics and Culture …, 2021 | 3 | 2021 |
| COVID-19 and the environment: Reflections on the pandemic in Asia H Huang EnviroLab Asia 4 (1), 2, 2020 | 3 | 2020 |
| Building bridges: How American colleges should approach China H Huang, DC Gladney The Chronicle of Higher Education, 2011 | 3 | 2011 |
| The 1992 Turtle Dance (Oekuu Shadeh) of San Juan Pueblo: Lessons with the Composer, Peter Garcia H Huang American Indian culture and research journal 21 (4), 1997 | 2 | 1997 |
Professor Dr. Bussakorn BinsonFaculty of Fine and Applied Arts Chulalongkorn UniversityVerified email at chula.ac.th
