| Text as ride J Strehovec Computing Literature, 2016 | 10 | 2016 |
| Beyond Oral/Digital: Ghanaian Electronic Literature as a Paradigm for African Digital Textuality K Opoku-Agyemang West Virginia University, 2017 | 7 | 2017 |
| Rituals of Distrust”: Illicit Affairs and Metaphors of Transport in Ama Ata Aidoo's “Two Sisters” and Chimamanda Ngozi Adichie's “Birdsong K Opoku-Agyemang Research in African Literatures 44 (4), 69-81, 2013 | 6 | 2013 |
| Looking Back while Moving Forward: The Case of Concrete Poetry and Sankofa K Opoku-Agyemang Hyperrhiz: New Media Cultures, 2017 | 5 | 2017 |
| Introduction to the Guest Issue S Adenekan, S Bosch Santana, R Cobham-Sander, K Opoku-Agyemang Postcolonial Text 15 (3 & 4), 2020 | 4 | 2020 |
| Digital cities and villages: African writers and a sense of place in short online fiction K Opoku-Agyemang Journal of African Media Studies 15 (2), 217-229, 2023 | 3 | 2023 |
| Flash Fiction Ghana, African electronic literature, and imagining social communities K Opoku-Agyemang Postcolonial Text 15 (3 & 4), 2020 | 3 | 2020 |
| Gaming, culture, hegemony: Introductory remarks. S Chakraborti, K Opoku-Agyemang, D Roy Journal of Gaming & Virtual Worlds 7 (2), 2015 | 3 | 2015 |
| Lost/gained in translation: Oware 3D, Ananse: The Origin and questions of hegemony K Opoku-Agyemang Journal of Gaming & Virtual Worlds 7 (2), 155-168, 2015 | 3 | 2015 |
| Digital Africas O Adenekan, R Cobham Sander, K Opoku-Agyemang, S Bosch-Santana Postcolonial Text, 2020 | 2 | 2020 |
| VY Mudimbe: The Philosopher-Poet K Opoku-Agyemang, C Thiam The Pan-African Pantheon, 422-433, 2021 | 1 | 2021 |
| " Sometimes Life Begins When Marriage Ends": Hybridity and Female Empowerment in Adichie's Purple Hibiscus and Americanah D Yerima-Avazi, K Opoku-Agyemang Research in African Literatures 52 (3), 122-138, 2021 | 1 | 2021 |
| Social (New) Media and African Literature: Ghanaian Case Studies K Opoku-Agyemang ASA 2015 Annual Meeting Paper, 2015 | 1 | 2015 |
| 'That Kind of Nonsense': Reverse Migration and the Paradox of Societal Expectation in Ayi Kwei Armah's Fragments K Opoku-Agyemang ASA 2013 Annual Meeting Paper, 2013 | 1 | 2013 |
| “Coat and Uncoat!”: Satire and socio-political commentary in My Book of# GHCoats K Opoku-Agyemang Legon Journal of the Humanities 34 (2), 1-23, 2023 | | 2023 |
| Roundtable review of Shola Adenekan's African Literature in the Digital Age (2021)Directions in Digital Africas K Opoku-Agyemang Eastern African Literary and Cultural Studies 9 (3), 213-215, 2023 | | 2023 |
| From Oral to Digital and Back: Adinkra Symbols and Kweku Ananse on YouTube JB Amissah-Arthur, K Opoku-Agyemang Global Perspectives on Digital Literature, 181-195, 2023 | | 2023 |
| Orality, Experiential Learning, and Decolonization: University of Ghana as Case Study K Opoku-Agyemang 2023 MLA Annual Convention, 2023 | | 2023 |
| Ama Ata Aidoo (1942–2023) K Opoku-Agyemang Tydskrif 60, 2, 2023 | | 2023 |
| African Performance Arts and Political Acts (Naomi André, Yolanda Covington-Ward & Jendele Hungbo, eds.) K Opoku-Agyemang Tydskrif vir Letterkunde 59 (2), 85-86, 2022 | | 2022 |
Dibyadyuti RoyLecturer (Assistant Professor), Cultural Studies, Media Studies, and Digital Humanities, UniversityVerified email at leeds.ac.uk
