| Even violins can cry: specifically vocal emotional behaviours also drive the perception of emotions in non-vocal music D Bedoya, P Arias, L Rachman, M Liuni, C Canonne, L Goupil, ... Philosophical Transactions of the Royal Society B 376 (1840), 20200396, 2021 | 15 | 2021 |
| Annotation and Analysis of Recorded Piano Performances on the Web L Fyfe, D Bedoya, E Chew Journal of the Audio Engineering Society 70 (11), 962–978, 2022 | 4 | 2022 |
| CosmoNote: a web-based citizen science tool for annotating music performances L Fyfe, D Bedoya, C Guichaoua, E Chew Web Audio Conference, 2021 | 3 | 2021 |
| Les émotions sont-elles exprimées de la même façon en musique que dans la voix parlée? D Bedoya, L Goupil, JJ Aucouturier Unpublished master’s thesis, Sorbonne Université, Paris, France, 2018 | 3 | 2018 |
| Controlling dyadic interactions with real-time smile transformations P Arias, D Bedoya, P Johansson, L Hall, JJ Aucouturier Society for Affective Science 2021 Conference, 2021 | 2 | 2021 |
| Acoustique des harpes d’Afrique centrale: étude préliminaire JL Le Carrou, D Bedoya, MF Mifune, S Le Bomin Congrès Français d'Acoustique 14, 249-254, 2018 | 2* | 2018 |
| A Perceiver-Centered Approach for Representing and Annotating Prosodic Functions in Performed Music D Bedoya, L Fyfe, E Chew Frontiers in Psychology 13, 886570, 2022 | | 2022 |
| A Nutshell Guide to Annotating Recorded Piano Performances on the Web with CosmoNote L Fyfe, D Bedoya, E Chew Web Audio Conference, 2022 | | 2022 |
| Creating Experiments with Cosmonote: Advancing Web-Based Annotations for Performed Music EC Daniel Bedoya, Lawrence Fyfe Proceedings of the 19th Sound and Music Computing Conference, 683-684, 2022 | | 2022 |
| Towards a Set of Conventions for Representing and Annotating Musical Prosody D Bedoya, L Fyfe, E Chew International Symposium on Performance Science, 2021 | | 2021 |
| CosmoNote: Visualizing expressive music information layers and public engagement in annotating performed music structures D Bedoya, L Fyfe, C Guichaoua, E Chew CitSciVirtual 2021, 2021 | | 2021 |
