| Beauty and the belles: Discourses of feminism and femininity in Disneyland A Craven European Journal of Women's Studies 9 (2), 123-142, 2002 | 93 | 2002 |
| Whose debt?: Globalisation and whitefacing in Asia P Goon, A Craven Intersections: Gender, history and culture in the Asian context 9, 2003 | 70 | 2003 |
| Fairy tale interrupted: Feminism, masculinity, wonder cinema A Craven Peter Lang, 2017 | 22 | 2017 |
| Finding Queensland in Australian cinema: Poetics and screen geographies A Craven Anthem Press, 2016 | 16 | 2016 |
| A Happy and Instructive Haunting: Revising the Child, the Gothic and the Australian Cinema Revival in Storm Boy (2019) and Picnic at Hanging Rock (2018) A Craven Journal of Australian Studies 45 (1), 46-60, 2021 | 7 | 2021 |
| Period features, heritage cinema: Region, gender and race in The Irishman A Craven Studies in Australasian Cinema 5 (1), 31-42, 2011 | 7 | 2011 |
| Esmeralda of Notre-Dame: The Gypsy in Medieval View from Hugo to Disney A Craven The Disney Middle Ages: A Fairy-Tale and Fantasy Past, 225-242, 2012 | 6 | 2012 |
| The ambiguities of ancestry: antiquity, ruins and converging traditions of Australian Gothic Cinema AR Craven Studies in Australasian Cinema 14 (3), 162-177, 2020 | 5 | 2020 |
| Terraform and Terra Firma: transnational economies of image, landscape and location in screen production in Queensland A Craven Regional Cultures, Economies, and Creativity, 67-81, 2019 | 5 | 2019 |
| Escape to the terraform tropics: geography and gender in marine adventure films from Queensland A Craven Screening the Past 43, 2018 | 5 | 2018 |
| Tropical gothic: Radiance revisited A Craven etropic: electronic journal of studies in the tropics 7, 2008 | 5 | 2008 |
| Whose debt P Goon, A Craven Globalisation and White Facing in Asia. Intrsc.: Gen. His. Cul 1 (2), 2003 | 5 | 2003 |
| The last of the long takes: feminism, sexual harassment, and the action of change A Craven M/C Journal 23, 2020 | 4 | 2020 |
| Upon a Dream Once More: Beauty Redacted in Disney’s Readapted Classics A Craven Debating Disney: Pedagogical Perspectives on Commercial Cinema, 187-198, 2016 | 3 | 2016 |
| Dual occupancy: Melbourne and the feminist drama of dwelling in Monkey Grip A Craven Studies in Australasian Cinema 5 (3), 333-342, 2012 | 2 | 2012 |
| The Good, the Gothic and the Transnational Rules of the Afterlife in The Good Place A Craven ESLJ 18, 1, 2020 | 1 | 2020 |
| Abroad: production tracks and narrative trajectories in films about Australians in Asia A Craven Australian Screen in the 2000s, 99-117, 2017 | 1 | 2017 |
| Fencelines and horizon lines: Queensland in the imaginary geographies of cinema A Craven Townsville City Council, 2013 | 1 | 2013 |
| Heritage enigmatic: The silence of the dubbed in Jedda and The Irishman A Craven Studies in Australasian Cinema 7 (1), 23-34, 2013 | 1 | 2013 |
| The Girl with the Bush Knife: Women, Adventure and the Tropics in Age of Consent and Nim’s Island A Craven, C Mann Etropic: electronic journal of studies in the tropics 9, 2010 | 1 | 2010 |
