| Experimental media archaeology: A plea for new directions A Fickers, A Van den Oever Technē/Technology: Researching Cinema and Media Technologies – Their …, 2014 | 60 | 2014 |
| Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept A Van den Oever Amsterdam University Press, 2010 | 50 | 2010 |
| Introduction: Exposing the Film Apparatus G Fossati, A Van den Oever Exposing the Film Apparatus The Film Archive as a Research Laboratory, 3-42, 2016 | 37* | 2016 |
| Ostranenie, Innovation, and Media History FE Kessler, A van den Oever Ostrannenie: On ‘Strangeness’ and the Moving Image: The History, Reception …, 2010 | 25 | 2010 |
| Technē/Technology: Researching Cinema and Media Technologies—Their Development, Use, and Impact A van den Oever Amsterdam University Press, 2014 | 22* | 2014 |
| Doing experimental media archaeology. Epistemological and methodological reflections on experiments with historical objects of media technologies A Fickers, A Van den Oever New media archaeologies, 45-68, 2018 | 21 | 2018 |
| " Fritzi" en het groteske A Van den Oever De Bezige Bij, 2003 | 18 | 2003 |
| Feminist film studies 40 years after ‘Visual Pleasure and Narrative Cinema’, a triologue L Mulvey, A Backman Rogers, A Van Den Oever NECSUS: European Journal of Media Studies 4 (1), 67-79-67-79, 2015 | 16 | 2015 |
| Ostranenie,'The Montage of Attractions' and Early Cinema's' Properly Irreducible Alien Quality' A Van den Oever Stranger Things: Rethinking Defamiliarization in Literature and Visual …, 2023 | 14 | 2023 |
| Introduction: Ostran(n)enie as an ‘Attractive’ Concept A van den Oever Ostrannenie: On ‘strangeness’ and the Moving Image: The History, Reception …, 2010 | 12* | 2010 |
| Doing experimental media archaeology: Theory A Fickers, A Oever De Gruyter, 2022 | 11 | 2022 |
| Rethinking the Materiality of Technical Media: Friedrich Kittler, Enfant Terrible with a Rejuvenating Effect on Parental Discipline–A Dialogue G Winthrop-Young, A van den Oever Amsterdam University Press, 2014 | 11 | 2014 |
| Stories: Screen Narrative in the Digital era I Christie, A van den Oever Amsterdam University Press, 2018 | 10* | 2018 |
| Gulliver Goes to the Movies: Screen Size, Scale, and Experiential Impact–A Dialogue M Beugnet, A Van Den Oever Screens From Materiality to Spectatorship–A Historical and Theoretical …, 2016 | 9 | 2016 |
| Conversation with Laura Mulvey A van den Oever Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception …, 2010 | 9* | 2010 |
| The aesthetics and viewing regimes of cinema and television, and their dialectics AMA van den Oever Audiences. Defining and Researching Screen Entertainment Reception, 113-127 …, 2012 | 8 | 2012 |
| Viktor Shklovsky’s Heritage in Literature, Arts, and Philosophy I Evdokimova, M Eskin, M Everson, V Fet, N Francis, M Garr, D Gorman, ... Lexington Books, 2019 | 6 | 2019 |
| Sensitizing the viewer: The impact of new techniques and the art experience AMA van den Oever University of Groningen, Amsterdam University Press and Stedelijk Museum …, 2011 | 6 | 2011 |
| Screen Narrative in the Digital Era I Christie, A Van den Oever Stories: Screen Narrative in the Digital Era, 11-24, 2018 | 5 | 2018 |
| Revisiting Christian Metz’s “Apparatus Theory”–A Dialogue M Lefebvre, A van den Oever Technē/Technology. Researching Cinema and Media Technologies, Their …, 2014 | 5 | 2014 |
Andreas FickersProfessor of Contemporary and Digital History, University of LuxembourgVerified email at uni.lu
