| Triangulation in historical audience research: Reflections and experiences from a multimethodological research project on cinema audiences in Flanders D Biltereyst, K Lotze, P Meers Participations: journal of audience and reception studies.-Middlesex 9 (2 …, 2012 | 59 | 2012 |
| Writing cinema histories with digital databases: The case of Cinema Context J Noordegraaf, K Lotze, J Boter Tijdschrift voor mediageschiedenis 21 (2), 106-126, 2018 | 21 | 2018 |
| Negotiating Cinema's Modernity: Strategies of control and audience experiences of cinema in Belgium, 1930s–1960s D Biltereyst, P Meers, K Lotze, L Van de Vijver Cinema, Audiences and Modernity, 186-201, 2013 | 18 | 2013 |
| Mapping Film Programming across Post-War Europe (1952): Arts and Media T Van Oort, Å Jernudd, K Lotze, C Pafort-Overduin, D Biltereyst, J Boter, ... Research Data Journal for the Humanities and Social Sciences 5 (2), 109-125, 2020 | 9 | 2020 |
| Moving films: Visualising film flow in three European cities in 1952 C Pafort-Overduin, K Lotze, A Jernudd, T Oort | 7 | 2020 |
| They don't need me in heaven... there are no cinemas there, you know: cinema culture in Antwerp, Belgium and the empire of Georges Heylen, 1945-75 K Lotze, P Meers Watching films: new perspectives on movie-going, exhibition and reception …, 2013 | 7 | 2013 |
| Citizen Heylen K Lotze, P Meers Tijdschrift voor mediageschiedenis 13, 80-107, 2010 | 7 | 2010 |
| Bringing the multiplex to Antwerp: a battle of two giants K Lotze Journal for Media History 21 (1), 76-101, 2018 | 6 | 2018 |
| New Cinema History in the Low Countries and Beyond C Pafort-Overduin, T Van Oort, J Thissen, A van der Velden, DT Gennari, ... TMG–Journal for Media History 21, 2018 | 3 | 2018 |
| Antwerpen Kinemastad: a mixed-method investigation into film exhibition and experiences of cinemagoing in Antwerp (1945-1995) with a focus on the Rex cinema group K Lotze University of Antwerp, 2020 | 2 | 2020 |
| DIGIFIL Final report I Kisjes, T van Oort, K Lotze, IR Staliunaite, J Veerbeek, K Beelen, ... University of Amsterdam/Amsterdam University of Applied Sciences, 2020 | 1 | 2020 |
| Digital Film Listings (DIGIFIL) I Kisjes, T van Oort, K Lotze, I Staliunaite, J Veerbeek, K Beelen, ... Universiteit van Amsterdam, 2020 | 1 | 2020 |
| “Our job is to pull audience to Soviet films with all means necessary”. State-Monopolised Film Distribution and Patterns of Film Exhibition in Two Eastern Bloc Cities in the … K Lotze, K Klejsa The Palgrave Handbook of Comparative New Cinema Histories, 195-220, 2024 | | 2024 |
| Discovering Cinema Typologies in Urban Cinema Cultures: Comparing Programming Strategies in Antwerp and Amsterdam, 1952–1972 J Noordegraaf, T Van Oort, K Lotze, D Biltereyst, P Meers, I Kisjes The Palgrave Handbook of Comparative New Cinema Histories, 239-262, 2024 | | 2024 |
| The Cinema Belgica Database V Ducatteeuw, D Biltereyst, P Meers, C Verbruggen, D Moreels, ... | | 2022 |
| Mapping Film Programming acrosse Post-War Europe C Pafort-Overduin, T Van Oort, A Jernudd, K Lotze, D Biltereyst, J Boter, ... International Journal of Spatial Data Infrastructures Research 5 (2), 109-125, 2020 | | 2020 |
| Mapping film programming across post-war Europe (1952) K Lotze, T Van Oort, Å Jernudd, C Pafort-Overduin Research data journal for the humanities and social sciences.-Leiden, 2020 | | 2020 |
| Mapping Film Programming across Post-War Europe (1952) T Oort, A Jernudd, K Lotze, C Pafort-Overduin, D Biltereyst, J Boter, ... | | 2020 |
| Film programming Antwerp Bari Ghent Gothenburg Leicester Rotterdam 1952 C Pafort-Overduin, J Boter, TV Oort, K Lotze, A Jernudd, L Vijver, ... Data Archiving and Networked Services (DANS), 2019 | | 2019 |
| Re-imagining DEFA. East German Cinema in its National and Transnational Contexts K Lotze Historical Journal of Film, Radio and Television 38 (3), 680-682, 2018 | | 2018 |
