| T. S Eliot's Sweeney Agonistes as a satirical drama KAW alee AYAN SHAMAS university Quarterly COLLEGE OF ARTS 45, 24, 2017 | | 2017 |
| THE FUNCTION OF THEATRICAL PROPERTIES IN J. M. SYNGE'S RIDERS TO THE SEA KA WALEE JOURNAL OF DIYLA FOR HUMAN SCIENCES, 15, 2017 | | 2017 |
| FILIAL EVIL IN SHAKESPEARE'S KING LEAR KAWANDA MUKRAM ANBAR UNIVERSITY JOURNAL OF LANGUAGE AND LITERATURE, 24, 2017 | | 2017 |
| THE ROLE OF THE PAST IN EUGENE O'NEILL'S LONG DAY'S JOURNEY INTO NIGHT KA WALEE SWIFT JOURNAL OF SOCIAL SCIENCES AND HUMANTIES 2 (2), 9, 2016 | | 2016 |
| THE MOTIF OF OBSESSION IN EUGENE O'NEILL'S ILE KA WALEE AL-FATIH JOURNAL, 10, 2008 | | 2008 |
| THE DRAMATIC SIGNIFICANCE OF THE FINAL SOLILOQUY IN CHRISTOPHER MARLOWE'S DR. FAUSTUS KA WALEE AL-AUSTATH, 12, 2008 | | 2008 |
| THE PROBLEMATICAL ENDING OF DICKENS' GREAT EXPECTATIONS; A STUDY IN AESTHETIC CONSISTENCY KA WALEE, MH JAWE AL-AUSTATH, 14, 2000 | | 2000 |
| the function of the fool in some of W.B. YEATS' PLAYS K almas walee university of baghdad college of arts, 1990 | | 1990 |
| E XPRESSIONISM IN SUSAN GLASPELL'S TRIFLES KAWANDA MUKRAM AL- USTATH, 13, 0 | | |
