| Phronesis and the knowledge-action gap in moral psychology and moral education: A new synthesis? C Darnell, L Gulliford, K Kristjánsson, P Paris Human Development 62 (3), 101-129, 2019 | 214 | 2019 |
| The empirical case for moral beauty P Paris Australasian Journal of Philosophy 96 (4), 642-656, 2018 | 22 | 2018 |
| Moral beauty and education P Paris Journal of Moral Education 48 (4), 395-411, 2019 | 17 | 2019 |
| The Deformity-Related Conception of Ugliness P Paris British Journal of Aesthetics 57 (2), 139-160, 2017 | 16 | 2017 |
| Functional Beauty, Pleasure, and Experience P Paris Australasian Journal of Philosophy 98 (3), 516-530, 2020 | 14 | 2020 |
| The ‘Moralism’in Immoralism: a critique of Immoralism in Aesthetics P Paris The British Journal of Aesthetics 59 (1), 13-33, 2019 | 14 | 2019 |
| On Form, and the Possibility of Moral Beauty P Paris Metaphilosophy 49 (5), 711-729, 2018 | 14 | 2018 |
| Scepticism about Virtue and the Five-Factor Model of Personality P Paris Utilitas 29 (4), 423-452, 2017 | 12 | 2017 |
| The aesthetics of ethics: exemplarism, beauty, and the psychology of morality P Paris The Journal of Value Inquiry 56 (4), 601-625, 2022 | 5 | 2022 |
| Delineating beauty: On form and the boundaries of the aesthetic P Paris Ratio, 2023 | 4 | 2023 |
| On the importance of beauty and taste P Paris Royal Institute of Philosophy Supplements 92, 229-252, 2022 | 2 | 2022 |
| Educating Character Through the Arts L D'Olimpio, P Paris, AP Thompson | 2 | 2022 |
| Values and virtues for a challenging world O Palermos, P Paris, J Webber Cambridge University Press, 2022 | | 2022 |
| Virtue and vice on TV: Television series and ethical reflection P Paris Educating Character Through the Arts, 84-108, 2022 | | 2022 |
| James Harold," Dangerous Art: On Moral Criticism of Artwork." P Paris Philosophy in Review 41 (4), 236-240, 2021 | | 2021 |
| Art, Morality and Human Nature: Writings P Paris The British Journal of Aesthetics 59 (1), 105-109, 2019 | | 2019 |
| VERSION IS SUBJECT TO CHANGE FOR CLARITY, WORDCOUNT, & STYLE; PHILOSOPHICALLY SUBSTANTIVE CHANGES WILL BE AVOIDED. P Paris | | |
