| Visualising in/equalities through contemporary documentary cinema. A diffractive reading of feminist practices in spanish and italian non-fiction films O Calderón-Sandoval Universidad de Granada y Universidad de Bolonia, 2019 | 7* | 2019 |
| Hacer visible lo invisible: teoría feminista del cine y Documentales mexicanos realizados por mujeres en el siglo XXI OAC Sandoval I Congreso Internacional de Comunicación y Género. Libro de Actas: 5, 6 y 7 …, 2012 | 7 | 2012 |
| Implementing gender equality policies in the Spanish film industry: persistent prejudices and a feminist will to ‘exploit the centre into concentric circles’ O Calderón-Sandoval International Journal of Cultural Policy 28 (4), 446-460, 2022 | 6 | 2022 |
| Opposition to gender quotas in Sweden and Spain: Debates about gender equality in the film industry M Jansson, O Calderón-Sandoval Women's Studies International Forum 93, 102599, 2022 | 5 | 2022 |
| Feminist Documentary Cinema as a Diffraction Apparatus: A Diffractive Reading of the Spanish Films, Cuidado, resbala and Yes, We Fuck! O Calderon-Sandoval, A Sanchez-Espinosa Social Sciences 8 (7), 206, 2019 | 5 | 2019 |
| Feminist documentary cinema as a diffraction apparatus for the visualisation of care labour: the Spanish collective film Cuidado, resbala (2013) O Calderón Feminist Media Studies 17, 308-312, 2017 | 4 | 2017 |
| Feminist counter-cinema and decolonial countervisuality: subversions of audiovisual archives in Un’ora sola ti vorrei (2002) and Pays Barbare (2013) O Calderón-Sandoval, A Sánchez-Espinosa Studies in Documentary Film 15 (3), 187-202, 2021 | 3 | 2021 |
| Queer Gender Performativity in Documentary Cinema: The Transgender Look of Italian Filmmaker Simone Cangelosi A Sánchez Espinosa, O Calderón Sandoval Comunicación y Género 3 (1), 27-35, 2020 | 3 | 2020 |
| L'Amant de Marguerite Duras: La escritura como (de) construcción de una subjetividad femenina deseante. O Calderón Nomadías, 2017 | 2 | 2017 |
| FEMINIDAD Y MASCULINIDAD EN EL CINE DE CARLOS REYGADAS. OAC SANDOVAL | 2* | 2012 |
| PRÁCTICAS FEMINISTAS EN DOS DOCUMENTALES SOBRE EL DERECHO A DECIDIR LA PROPIA MATERNIDAD: YO DECIDO. EL TREN DE LA LIBERTAD Y LUNÀDIGAS. OVVERO DELLE DONNE SENZA FIGLI O Calderon-Sandoval Mujer y transmedialidad. Creadoras de imágenes., 157-171, 2020 | 1 | 2020 |
| Intervenciones feministas en el cine documental: conocimientos situados y (auto) representaciones de género en películas de Alina Marazzi y Maricarmen de Lara O Calderón Sandoval | 1 | 2013 |
| Entanglements of feminist activism and gender equality policy in the Spanish and Swedish film industries: between convergence and critique M Jansson, O Calderón-Sandoval Journal of Gender Studies, 1-14, 2024 | | 2024 |
| Debating Sexual Consent in the Teen Series The Hockey Girls: Reactions of Instagram Audiences O Calderón-Sandoval, I Villegas-Simón, P Medina-Bravo Sex Education, 1-15, 2023 | | 2023 |
| Reframing Identity and Building a Nomadic Home through Mestiza Consciousness in Brincando el charco. Portrait of a Puerto Rican O Calderon-Sandoval Anglo Saxonica 21 (1), 2023 | | 2023 |
| Subverting technologies of gender in male-dominated gender regimes: (self) representations of Spanish and Swedish women filmmakers O Calderón, M Jansson Feminist Media Studies, 2022 | | 2022 |
| Gender-Based Violence and the Performance of Masculinity: A Comparative Analysis of the Documentary Films Ma L'amore C'entra? and Serás Hombre OC Sandoval, AS Espinosa Performing Cultures of Equality, 100-116, 2022 | | 2022 |
| Feminist Friendships, Solidarities and a Dream Come True: Shared Conversations about GEMMA A Sánchez Espinosa, CS Orianna Feminist Research Alliances: Affective convergences, 25-41, 2022 | | 2022 |
| Chapter 7 Gender-Based Violence and the Performance of Masculinity: A Comparative Analysis of the Documentary Films Ma l'amore c'entra? and Serás hombre OC Sandoval, AS Espinosa Taylor & Francis, 2022 | | 2022 |
| Chapter 7 Resisting Cultures of Inequality through Feminist Counter-Visuality Practices in Contemporary Spanish Fiction and Non-Fiction Cinema AS Espinosa, OC Sandoval Taylor & Francis, 2022 | | 2022 |
Adelina Sánchez EspinosaProfesora Titular de la Universidad de GranadaVerified email at ugr.es
