| The games black girls play: learning the ropes from double-dutch to hip-hop KD Gaunt Learning the Ropes from Double-Dutch, 2006 | 556 | 2006 |
| Dancin' in the Streets to a Black Girl's Beat: Music, Gender and the "Ins and Outs" of Double-Dutch K Gaunt Generations of youth: Youth cultures and history in twentieth-century …, 1998 | 273* | 1998 |
| YouTube, twerking & you: Context collapse and the handheld co‐presence of black girls and Miley Cyrus KD Gaunt Journal of Popular Music Studies 27 (3), 244-273, 2015 | 105 | 2015 |
| Translating Double-Dutch to Hip-Hop: The Musical Vernacular of Black Girls' Play KD Gaunt That's the Joint: the hip-hop studies reader, edited by Mark Anthony Neal …, 2004 | 54* | 2004 |
| Translating Double-Dutch to Hip-Hop. KD Gaunt, JK Adjaye, AR Andrews Language, rhythm, & sound: Black popular cultures into the twenty-first …, 1997 | 54* | 1997 |
| African American Women Between Hopscotch and Hip-Hop KD Gaunt Feminism, multiculturalism, and the media: Global diversities, 277, 1995 | 27 | 1995 |
| The hip hop & Obama reader TL Gosa, E Nielson Oxford University Press, 2015 | 26 | 2015 |
| The veneration of James Brown and George Clinton in hip-hop music: Is it live! Or is it re-memory? KD Gaunt Popular Music–Style and Identity, 1995 | 17 | 1995 |
| Got Rhythm?: difficult encounters in theory and practice and other participatory discrepancies in music KD Gaunt City & Society 14 (1), 119-140, 2002 | 16 | 2002 |
| YouTube, bad bitches and an MIC (mom-in-chief): On the digital seduction of Black girls in participatory hip-hop spaces KD Gaunt The hip hop & Obama reader, 207-226, 2015 | 13* | 2015 |
| "The Two O'Clock Vibe": Embodying the Jam of Musical Blackness in and out of Its Everyday Context KD Gaunt Musical Quarterly 86 (3 (Autumn, 2002)), 372-397, 2002 | 11 | 2002 |
| The Disclosure, Disconnect, and Digital Sexploitation of Tween Girls' Aspirational YouTube Videos KD Gaunt Journal of Black sexuality and relationships 5 (1), 91-132, 2018 | 10 | 2018 |
| Youtube, twerking, and you: Context collapse and the handheld copresence of Black girls and Miley Cyrus KD Gaunt Voicing Girlhood in Popular Music, 208-232, 2016 | 10 | 2016 |
| Girls’ Game-Songs and Hip-Hop: Music Between the Sexes KD Gaunt Parcours anthropologiques, 97-128, 2012 | 10 | 2012 |
| The Magic of Black Girls Play KD Gaunt New York Times, 2020 | 6 | 2020 |
| Introduction: APES** T C Vernallis Journal of Popular Music Studies 30 (4), 11-70, 2018 | 6 | 2018 |
| ‘One Time 4 Your Mind’: Embedding Nas and Hip-Hop into a Gendered State of Mind KD Gaunt Born to Use Mics: Reading Nas’s “Illmatic,” ed. Michael Eric Dyson and …, 2010 | 6 | 2010 |
| At the Crossroads of Music and Social Justice KD Gaunt, S Loza, CW Heth, P Austerlitz, KJ Graber, D Sprengel, HC Law, ... Indiana University Press, 2023 | 5 | 2023 |
| Roundtable: VH1's (White) Rapper Show: Intrusions, Sightlines, and Authority K Gaunt, CL Keyes, TR Mangin, W Marshall, J Schloss Journal of Popular Music Studies 20 (1), 44-78, 2008 | 3 | 2008 |
| Music grooves: Essays and dialogues (book review) KD Gaunt YEARBOOK FOR TRADITIONAL MUSIC 32, 178-181, 2000 | 3* | 2000 |
