| Of ‘Metaphorical’Politics: Bombay Films and Indian Society A Sircar Modern Asian Studies 29 (2), 325-335, 1995 | 17 | 1995 |
| Individualising History: The'Real'Self in the Shadow Lines A Sircar Social Scientist, 33-46, 1991 | 16 | 1991 |
| Love in the time of liberalization: qayamat se qayamat tak A Sircar journal of Arts and Ideas 32 (33), 35-59, 1999 | 7 | 1999 |
| Framing the Nation: Languages of'modernity'in India A Sircar Seagull Books, 2011 | 6 | 2011 |
| Another Road to Another Ray A SIRCAR JOURNAL OF THE MOVING IMAGE 1 (1), 53-67, 1999 | 6* | 1999 |
| Production of Authenticity: The Indo-Anglian Critical Tradition A Sircar Economic and Political Weekly, 1921-1926, 1992 | 3 | 1992 |
| The Category of Children's Cinema in India A SIRCAR | 2 | 2016 |
| Framing the nation: languages of'modernity'in India A Sircar (No Title), 1997 | 1 | 1997 |
| Contagion Narratives: The Society, Culture and Ecology of the Global South (Routledge Studies in World Literatures and the Environment) RSVEAS Editor) | | 2022 |
| Psychoanalysis and the Evil Within A SIRCAR Construction of Evil in North East India : Myth, Narrative, Discourse, 81-99, 2012 | | 2012 |
| Filming the Line of Control A Sircar Summerhill 13 (2), 58-59, 2007 | | 2007 |
| Inside and Outside the Law: Bombay's Anti-hero Cinema A SIRCAR SUMMERHILL 13 (1), 12-19, 2007 | | 2007 |
| " ROMANCE," POST-COLONIALITY, POPULAR CULTURE A Sircar, K Srilata Indian Journal of American Studies 23 (1), 112-117, 1993 | | 1993 |
