| Performance and the Disney Theme Park Experience JA Kokai, T Robson | 20* | |
| Click: When we knew we were feminists CE Martin, JC Sullivan Seal Press, 2010 | 19 | 2010 |
| Babes in tech land: expo labor as capitalist technology’s erotic body L Cornfeld Feminist Media Studies 18 (2), 205-220, 2018 | 16 | 2018 |
| Videotape and Vibrators: An Industry History of Techno-Sexuality L Cornfeld Feminist Media Histories 6 (4), 94-120, 2020 | 6 | 2020 |
| Expo afterlife: corporate performance and capitalist futurity in the Carousel of Progress L Cornfeld Women & Performance: a journal of feminist theory 27 (3), 316-333, 2017 | 5 | 2017 |
| How to Do Things with Magic Words LI CORNFELD Hermione Granger Saves the World: Essays on the Feminist Heroine of Hogwarts …, 2012 | 3 | 2012 |
| ‘Have to See It, Yet Boring’: Disney’s Robot Dramas Revisited L Cornfeld Performance and the Disney Theme Park Experience, 151-170, 2019 | 2 | 2019 |
| Shooting heroines: Sexual violence and Dina Goldstein’s Fallen Princesses photography series L Cornfeld Fallen Princesses, 17-20, 2011 | 2 | 2011 |
| Legitimating Media: Shakespeare’s Awkward Travels Through Video Games and Twitter L Cornfeld, V Simon, J Sterne Communication Culture & Critique 11 (3), 418-435, 2018 | 1 | 2018 |
| Stages of technology: performance and production in the tech industry L Cornfeld McGill University (Canada), 2018 | 1 | 2018 |
| Fireside chats, tech spectacle, and the making of Mark Zuckerberg L Cornfeld The California Review of Images and Mark Zuckerberg 1 (1), 2017 | | 2017 |
