Music in the galant style R Gjerdingen OUP USA, 2007 | 955 | 2007 |
A classic turn of phrase: Music and the psychology of convention RO Gjerdingen University of Pennsylvania Press, 1988 | 366 | 1988 |
Scanning the dial: The rapid recognition of music genres RO Gjerdingen, D Perrott Journal of new music research 37 (2), 93-100, 2008 | 271 | 2008 |
Method for creating a database for comparing music RO Gjerdingen, RM Khan, M Mathys, CD Pirkner, PW Rice, TR Sulzer US Patent 6,539,395, 2003 | 266 | 2003 |
System for content based music searching R Gjerdingen, R Khan, M Mathys, C Pirkner, P Rice, T Sulzer US Patent App. 09/532,196, 2002 | 223 | 2002 |
Categorization of musical patterns by self-organizing neuronlike networks RO Gjerdingen Music Perception 7 (4), 339-369, 1990 | 160 | 1990 |
Apparent motion in music? RO Gjerdingen Music Perception 11 (4), 335-370, 1994 | 146 | 1994 |
An experimental music theory R Gjerdingen Rethinking music 2, 1999 | 81 | 1999 |
Partimento, que me veux-tu? RO Gjerdingen Journal of Music Theory 51 (1), 85-135, 2007 | 80 | 2007 |
The psychology of music RO Gjerdingen The Cambridge history of Western music theory, 956-981, 2002 | 77 | 2002 |
Using connectionist models to explore complex musical patterns RO Gjerdingen Computer Music Journal 13 (3), 67-75, 1989 | 76 | 1989 |
Meter as a mode of attending: A network simulation of attentional rhythmicity in music RO Gjerdingen Intégral 3, 67-91, 1989 | 71 | 1989 |
Schema theory as a construction grammar R Gjerdingen, J Bourne Music Theory Online 21 (2), 21.2, 2015 | 69 | 2015 |
The formation and deformation of classic/romantic phrase schemata: A theoretical model and historical study RO Gjerdingen Music Theory Spectrum 8, 25-43, 1986 | 47 | 1986 |
“Historically informed” corpus studies RO Gjerdingen Music Perception: An Interdisciplinary Journal 31 (3), 192-204, 2012 | 46 | 2012 |
Child composers in the old conservatories: How orphans became elite musicians RO Gjerdingen Oxford University Press, 2020 | 45 | 2020 |
Courtly behaviors RO Gjerdingen Music Perception 13 (3), 365-382, 1996 | 44 | 1996 |
Partimenti written to impart a knowledge of counterpoint and composition R Gjerdingen Partimento and Continuo Playing in Theory and Practice: Collected Writings …, 2010 | 42 | 2010 |
Learning syntactically significant temporal patterns of chords: A masking field embedded in an ART 3 architecture RO Gjerdingen Neural Networks 5 (4), 551-564, 1992 | 35 | 1992 |
Partimento and continuo playing in theory and in practice D Moelants, R Gjerdingen, T Christensen Leuven University Press, 2010 | 32 | 2010 |