| Music in the galant style R Gjerdingen OUP USA, 2007 | 920 | 2007 |
| A classic turn of phrase: Music and the psychology of convention RO Gjerdingen University of Pennsylvania Press, 1988 | 361 | 1988 |
| Scanning the dial: The rapid recognition of music genres RO Gjerdingen, D Perrott Journal of new music research 37 (2), 93-100, 2008 | 268 | 2008 |
| Method for creating a database for comparing music RO Gjerdingen, RM Khan, M Mathys, CD Pirkner, PW Rice, TR Sulzer US Patent 6,539,395, 2003 | 265 | 2003 |
| System for content based music searching R Gjerdingen, R Khan, M Mathys, C Pirkner, P Rice, T Sulzer US Patent App. 09/532,196, 2002 | 222 | 2002 |
| Categorization of musical patterns by self-organizing neuronlike networks RO Gjerdingen Music Perception 7 (4), 339-369, 1990 | 161 | 1990 |
| Apparent motion in music? RO Gjerdingen Music Perception 11 (4), 335-370, 1994 | 144 | 1994 |
| An experimental music theory R Gjerdingen Rethinking music 2, 1999 | 83 | 1999 |
| Partimento, que me veux-tu? RO Gjerdingen Journal of Music Theory 51 (1), 85-135, 2007 | 78 | 2007 |
| The psychology of music RO Gjerdingen The Cambridge history of Western music theory, 956-981, 2002 | 78 | 2002 |
| Using connectionist models to explore complex musical patterns RO Gjerdingen Computer Music Journal 13 (3), 67-75, 1989 | 76 | 1989 |
| Meter as a mode of attending: A network simulation of attentional rhythmicity in music RO Gjerdingen Intégral 3, 67-91, 1989 | 71 | 1989 |
| Schema theory as a construction grammar R Gjerdingen, J Bourne Music Theory Online 21 (2), 21.2, 2015 | 66 | 2015 |
| The formation and deformation of classic/romantic phrase schemata: A theoretical model and historical study RO Gjerdingen Music Theory Spectrum 8, 25-43, 1986 | 47 | 1986 |
| Courtly behaviors RO Gjerdingen Music Perception 13 (3), 365-382, 1996 | 45 | 1996 |
| “Historically informed” corpus studies RO Gjerdingen Music Perception: An Interdisciplinary Journal 31 (3), 192-204, 2012 | 41 | 2012 |
| Partimenti written to impart a knowledge of counterpoint and composition R Gjerdingen Partimento and Continuo Playing in Theory and Practice: Collected Writings …, 2010 | 41 | 2010 |
| Child composers in the old conservatories: How orphans became elite musicians RO Gjerdingen Oxford University Press, 2020 | 39 | 2020 |
| Learning syntactically significant temporal patterns of chords: A masking field embedded in an ART 3 architecture RO Gjerdingen Neural Networks 5 (4), 551-564, 1992 | 35 | 1992 |
| Partimento and continuo playing in theory and in practice D Moelants, R Gjerdingen, T Christensen Partimento and Continuo Playing in Theory and in Practice, 1-136, 2010 | 28 | 2010 |
