The Annotated Beethoven Corpus (ABC): A dataset of harmonic analyses of all Beethoven string quartets M Neuwirth, D Harasim, FC Moss, M Rohrmeier Frontiers in Digital Humanities 5, 379513, 2018 | 90 | 2018 |
Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets FC Moss, M Neuwirth, D Harasim, M Rohrmeier PLoS One 14 (6), e0217242, 2019 | 52 | 2019 |
The pleasantness of sensory dissonance is mediated by musical style and expertise T Popescu, MP Neuser, M Neuwirth, F Bravo, W Mende, O Boneh, ... Scientific reports 9 (1), 1070, 2019 | 48 | 2019 |
What is a Cadence?: Theoretical and analytical perspectives on cadences in the classical repertoire P Bergé, M Neuwirth Leuven University Press, 2015 | 43 | 2015 |
The annotated mozart sonatas: Score, harmony, and cadence J Hentschel, M Neuwirth, M Rohrmeier Transactions of the International Society for Music Information Retrieval 4 …, 2021 | 41 | 2021 |
Towards a syntax of the classical cadence M Rohrmeier, M Neuwirth What is a cadence, 285-336, 2015 | 33 | 2015 |
Joseph Haydn’s “witty” play on Hepokoski and Darcy’s Elements of Sonata Theory: James Hepokoski/Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the … M Neuwirth Zeitschrift Der Gesellschaft Für Musiktheorie [Journal of the German …, 2011 | 26* | 2011 |
Fuggir la Cadenza, or the Art of Avoiding Cadential Closure M Neuwirth What is a Cadence, 117-155, 2015 | 20 | 2015 |
Does a ‘monothematic’expositional design have tautological implications for the recapitulation? An alternative approach to ‘altered recapitulations’ in Haydn M Neuwirth Studia Musicologica 51 (3-4), 369-385, 2010 | 19 | 2010 |
Wie wissenschaftlich muss Musiktheorie sein? Chancen und Herausforderungen musikalischer Korpusforschung M Neuwirth, M Rohrmeier Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German …, 2016 | 14 | 2016 |
Surprise without a Cause? ‘False Recapitulations’ in the Classical Repertoire and the Modern Paradigm of Sonata Form M Neuwirth Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German …, 2013 | 13 | 2013 |
Strukturell vermittelte Magie M Neuwirth Musik als Wahrnehmungskunst, 73, 2008 | 13 | 2008 |
The line of fifths and the co-evolution of tonal pitch-classes FC Moss, M Neuwirth, M Rohrmeier Journal of Mathematics and Music 17 (2), 173-197, 2023 | 11 | 2023 |
Generalized Skipgrams For Pattern Discovery in Polyphonic Streams C Finkensiep, M Neuwirth, M Rohrmeier Proceedings of the 19th International Society for Music Information …, 2018 | 11 | 2018 |
The impact of voice leading and harmony on musical expectancy L Wall, R Lieck, M Neuwirth, M Rohrmeier Scientific reports 10 (1), 5933, 2020 | 10 | 2020 |
Formenlehre: ein Lese-und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhundert F Diergarten, M Neuwirth Laaber-Verlag, 2019 | 10 | 2019 |
Voice-leading schema recognition using rhythm and pitch features C Finkensiep, K Déguernel, M Neuwirth, M Rohrmeier Proceedings of the 21st International Society for Music Information …, 2020 | 9 | 2020 |
Prospects for computational hermeneutics M Piotrowski, M Neuwirth Atti del IX Convegno Annuale AIUCD, 2020 | 9 | 2020 |
Formenlehre F Diergarten, M Neuwirth Ein Lese-und Arbeitsbuch zur Instrumentalmusik des 18, 2019 | 9 | 2019 |
Recomposed Recapitulations in the Sonata-Form Movements of Joseph Haydn and His Contemporaries M Neuwirth | 9 | 2013 |