Music in Renaissance magic: Toward a historiography of others G Tomlinson University of Chicago Press, 1993 | 542 | 1993 |
A million years of music: The emergence of human modernity G Tomlinson Princeton University Press, 2015 | 344 | 2015 |
Metaphysical song: an essay on opera G Tomlinson Princeton University Press, 2014 | 333 | 2014 |
Monteverdi and the End of the Renaissance G Tomlinson Univ of California Press, 1990 | 287 | 1990 |
The singing of the New World: Indigenous voice in the era of European contact G Tomlinson Cambridge University Press, 2007 | 261 | 2007 |
The web of culture: a context for musicology G Tomlinson Nineteenth-Century Music, 350-362, 1984 | 199 | 1984 |
Musicology, Anthropology, History 1 G Tomlinson The cultural study of music, 59-72, 2012 | 157 | 2012 |
Cultural dialogics and jazz: A white historian signifies G Tomlinson Black Music Research Journal, 229-264, 1991 | 135 | 1991 |
Musical pasts and postmodern musicologies: A response to Lawrence Kramer G Tomlinson | 119 | 1993 |
Cultural dialogics and jazz: a white historian signifies G Tomlinson Black Music Research Journal, 71-105, 2002 | 102 | 2002 |
Madrigal, Monody, and Monteverdi’s “via naturale alia immitatione” G Tomlinson Monteverdi, 75-123, 2017 | 92 | 2017 |
Listen J Kerman, G Tomlinson, V Kerman Macmillan, 2011 | 89 | 2011 |
The historian, the performer, and authentic meaning in music G Tomlinson Authenticity and early music: a symposium, 115-136, 1988 | 79 | 1988 |
Italian Romanticism and Italian Opera: An Essay in Their Affinities G Tomlinson Nineteenth-Century Music, 43-60, 1986 | 64 | 1986 |
The Renaissance WO Strunk (No Title), 1965 | 54 | 1965 |
Culture and the course of human evolution G Tomlinson University of Chicago Press, 2018 | 52 | 2018 |
Ideologies of Aztec song G Tomlinson Journal of the American Musicological Society 48 (3), 343-379, 1995 | 44 | 1995 |
Vico's Songs: Detours at the Origins of (Ethno) Musicology G Tomlinson The Musical Quarterly 83 (3), 344-377, 1999 | 38 | 1999 |
Monumental musicology G Tomlinson Journal of the Royal Musical Association 132 (2), 349-374, 2007 | 37 | 2007 |
Sign, affect, and musicking before the human G Tomlinson boundary 2 43 (1), 143-172, 2016 | 29 | 2016 |