| Austrian Cinema: A History R Von Dassanowsky McFarland, 2007 | 79 | 2007 |
| Quentin Tarantino's Inglourious Basterds R Von Dassanowsky Bloomsbury Publishing, 2012 | 38 | 2012 |
| New Austrian Film R Dassanowsky, OC Speck Berghahn Books, 2022 | 19 | 2022 |
| “Wherever you may run, you cannot escape him”: Leni Riefenstahl's Self-Reflection and Romantic Transcendence of Nazism in Tiefland R von Dassanowsky Camera Obscura: Feminism, Culture, and Media Studies 12 (2), 106-128, 1995 | 15 | 1995 |
| Phantom Empires: The Novels of Alexander Lernet-Holenia and the Question of Postimperial Austrian Identity R Dassanowsky Ariadne Press (CA), 1996 | 14 | 1996 |
| Screening Transcendence: Film under Austrofascism and the Hollywood Hope 1933-1938 R Dassanowsky Indiana University Press, 2018 | 10 | 2018 |
| A Mountain of a Ship: Locating the" Bergfilm" in James Cameron's" Titanic" R Von Dassanowsky Cinema Journal, 18-35, 2001 | 9 | 2001 |
| The Berlin School and Its Global Contexts: A Transnational Art Cinema J Fisher, M Abel, L Haegele, R Dassanowsky, W Fech, A Bardan Wayne State University Press, 2018 | 8 | 2018 |
| A Caper of One's Own: Fantasy Female Liberation in 1960s Crime Comedy Film R Von Dassanowsky Journal of Popular Film and Television 35 (3), 107-118, 2007 | 8 | 2007 |
| Dr. ‘King’ Schultz as Ideologue and Emblem: The German Enlightenment and the Legacy of 1848 in Django Unchained R Dassanowsky Quentin Tarantino's Django Unchained: A Continuation of Metacinema. Ed …, 2014 | 7* | 2014 |
| An Unclaimed Country: The Austrian Image in American Film and the Sociopolitics of The Sound of Music R Dassanowsky Bright Lights Film Journal 41, 2003 | 7 | 2003 |
| Male sites/female visions: Four female Austrian film pioneers R von Dassanowsky Modern Austrian Literature, 126-140, 1999 | 7 | 1999 |
| A Wave Over Boundaries: New Austrian Film. R von Dassanowsky Film International (16516826) 6 (1), 2008 | 6 | 2008 |
| Casino Royale at 33: The Postmodern Epic in Spite of Itself R Von Dassanowsky Bright Lights Film Journal 28, 18, 2006 | 6 | 2006 |
| Going Home Again? Ruzowitzky's Die Siebtelbauern and the New Austrian Heimatfilm R Dassanowsky The Germanic Review: Literature, Culture, Theory 78 (2), 133-147, 2003 | 6 | 2003 |
| Home/Sick: Locating Billy Wilder's Cinematic Austria in" The Apartment, The Private Life of Sherlock Holmes", and" Fedora" R Dassanowsky Journal of Austrian Studies, 1-25, 2013 | 5 | 2013 |
| The Third Reich as bordello and pigsty: Between neodecadence and sexploitation in Tinto Brass’s Salon Kitty R von Dassanowsky Nazisploitation! The Nazi Image in Low-Brow Cinema and Culture. Eds. Daniel …, 2012 | 5 | 2012 |
| World Film Locations: Vienna [electronic resource]. R Dassanowsky Intellect, 2012 | 4* | 2012 |
| The Nameable and the Unnameable: Hugo von Hofmannsthal’s "Der Schwierige" Revisited M Liebscher, C Fricker, R Dassanowsky IGS Series University of London. Iudicium Verlag, 2011 | 4* | 2011 |
| Finis Austriae, vivat Austria: The Re/Vision of 1918 in Austrian Film R Dassanowsky Österreich 1918 und die Folgen. Eds. Karl Müller and Hans Wagener, 179-196, 2008 | 4 | 2008 |
