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Jeremy C. Hollmann
Jeremy C. Hollmann
Honorary Research Fellow, University of the Witwatersrand
Verified email at wits.ac.za - Homepage
Title
Cited by
Cited by
Year
Customs and beliefs of the| Xam Bushmen
JC Hollmann
Wits University Press, 2004
1672004
'Swift-people': Therianthropes and bird symbolism in hunter-gatherer rock-paintings, Western and Eastern Cape provinces, South Africa
JC Hollmann
South African Archaeological Society Goodwin Series 9, 21-33, 2005
472005
‘Rain snakes’ from the Senqu River: new light on Qing's commentary on San rock art from Sehonghong, Lesotho
S Challis, J Hollmann, M McGranaghan
Azania: Archaeological Research in Africa 48 (3), 331-354, 2013
452013
Using behavioural postures and morphology to identify hunter-gatherer rock paintings of therianthropes in the Western and Eastern Cape Provinces, South Africa
JC Hollmann
South African Archaeological Bulletin 60 (182), 84-95, 2005
452005
Natural models, ethology and San rock-paintings: pilo-erection and depictions of bristles in southeastern South Africa
J Hollmann
South African Journal of Science 98 (11), 563-567, 2002
422002
'Big pictures': insights into southern African San rock paintings of ostriches
JC Hollmann
The South African Archaeological Bulletin, 62-75, 2001
352001
Digital imaging and the revelation of'hidden'rock art: Vaalekop Shelter, KwaZulu-Natal
JC Hollmann
Southern African Humanities 23 (1), 55-76, 2011
342011
Preliminary report on the Koebee rock paintings, western Cape Province, South Africa
J Hollmann
The South African Archaeological Bulletin, 16-25, 1993
331993
Indigenous knowledge and paintings of human-animal combinations: ostriches, swifts and religion in Bushman rock-art, Western Cape Province, South Africa
JC Hollmann
University of the Witwatersrand, 2003
252003
'Geometric'Motifs in Khoe-San Rock Art: Depictions of Designs, Decorations and Ornaments in the Gestoptefontein-Driekuil Complex, South Africa
JC Hollmann
Journal of African Archaeology 12 (1), 25-42, 2014
242014
The'cutting edge'of rock art: motifs and other markings on Driekuil Hill, North West Province, South Africa
JC Hollmann
Southern African Humanities 19 (1), 123-151, 2007
232007
Allusions to agriculturist rituals in hunter-gatherer rock art? eMkhobeni Shelter, northern Ukhahlamba-Drakensberg, KwaZulu-Natal, South Africa
JC Hollmann
African Archaeological Review 32, 505-535, 2015
222015
Bees, honey and brood: southern African hunter-gatherer rock paintings of bees and bees’ nests, uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa
JC Hollmann
Azania: Archaeological Research in Africa 50 (3), 343-371, 2015
192015
The cutting edge: Khoe-San rock-markings at the Gestoptefontein-Driekuil engraving complex, North West Province, South Africa
JC Hollmann
Archaeopress, 2017
182017
Exploring the Gestoptefontein-Driekuil complex (GDC): an ancient women's ceremonial centre in North West Province, South Africa
JC Hollmann
South African Archaeological Bulletin 68 (198), 146-159, 2013
172013
'An extreme case': the removal of rock art from uMhwabane (eBusingatha) rock art shelter, Bergville, KwaZulu-Natal
JC Hollmann, L Msimanga
Southern African Humanities 20 (2), 285-315, 2008
172008
Species and supernatural potency: an unusual rock painting from the Motheo District, Free State province, South Africa
JD Lewis-Williams, JC Hollmann
South African Journal of Science 102 (11), 509-512, 2006
172006
Species and supernatural potency: an unusual rock painting from the Motheo District, Free State province, South Africa
JD Lewis-Williams, JC Hollmann
South African Journal of Science 102 (11), 509-512, 2006
172006
| Kaggen's code: paintings of moths in southern African hunter-gatherer rock art
JC Hollmann
Southern African Humanities 19 (1), 83-101, 2007
142007
Digital technology in research and documentation of hunter-gatherer rock art in South Africa
JC Hollmann
African Archaeological Review 35, 157-168, 2018
132018
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