| Documentation and Replicability in the NIME Community F Calegario, J Tragtenberg, C Frisson, E Meneses, J Malloch, V Cusson, ... NIME 2021, 2021 | 14 | 2021 |
| Atmosphéries and the poetics of the in situ: the role and impact of sensors in data-to-sound transposition installations A Despond, N Reeves, V Cusson Proceedings of the 16th International Audio Mostly Conference, 48-55, 2021 | 3 | 2021 |
| Etu {d, b} e: A Preliminary Conduit V Cusson, T Davis NIME 2022, 2022 | 2 | 2022 |
| Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum M Skarha, V Cusson, C Frisson, MM Wanderley NIME 2021, 2021 | 2 | 2021 |
| eTu {d, b} e: Case studies in playing with musical agents T Davis, K Pocius, V Cusson, P Pasquier, MM Wanderley Proceedings of the International Conference on New Interfaces for Musical …, 2023 | 1 | 2023 |
| eTu {d, b} e: DEVELOPING AND PERFORMING SPATIALIZATION MODELS FOR IMPROVISING MUSICAL AGENTS K Pocius, T Davis, V Cusson Proceeding of the International Conference on Arts and Humanities 10 (1), 20-37, 2023 | | 2023 |
| Organic vs Synthetic: the Polymers Battle R Koehly, V Cusson International Workshop on Haptic and Audio Interaction Design, 2020 | | 2020 |
Marcelo M. WanderleyProfessor, Music Technology - McGill UniversityVerified email at mcgill.ca
