| Tabletop games in the age of remote collaboration: Design opportunities for a socially connected game experience Y Yuan, J Cao, R Wang, S Yarosh Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems …, 2021 | 32 | 2021 |
| Benjamin’s Chinese painter: Copying, adapting, and the aura of reproduction J Cao The Germanic Review: Literature, Culture, Theory 94 (1), 39-56, 2019 | 4 | 2019 |
| Mathematising the limit of time: Heidegger, Derrida, and the topology of temporality J Cao Journal for Cultural Research 24 (1), 28-41, 2020 | 3 | 2020 |
| The collector, the Glitcher, and the Denkbilder: Toward a critical aesthetic theory of video games J Cao Games and culture 18 (3), 322-338, 2023 | 2 | 2023 |
| From “Purpurwort” to Forgiveness: A Tawadian Translation of Celan’s “Psalm” J Cao The German Quarterly 94 (3), 2021 | 1 | 2021 |
| The Collector, the Glitcher, and the Denkbilder: Towards a Critical Aesthetic Theory of Video Games J Cao arXiv preprint arXiv:2201.08552, 2022 | | 2022 |
| Transplanting Languages: Botanical Poetics of Paul Celan and Yoko Tawada J Cao Northwestern University, 2021 | | 2021 |
| 队列之末II：再无队列 [Parade's End II: No More Parades] FM Ford, trans. Jan Cao | | 2017 |
| 队列之末I：有的人没有 [Parade's End: Some Do Not] FM Ford, trans. Jan Cao | | 2017 |
Ruotong WangUniversity of WashingtonVerified email at cs.washington.edu
