| Envisioning an academic readership: Latina/o performativities per the form of publication BM Calafell, ST Moreman Text and Performance Quarterly 29 (2), 123-130, 2009 | 97 | 2009 |
| Brown scriptings and rescriptings: A critical performance ethnography of Latina drag queens ST Moreman, DM McIntosh Communication and Critical/Cultural Studies 7 (2), 115-135, 2010 | 94 | 2010 |
| Memoir as performance: Strategies of hybrid ethnic identity ST Moreman Text and Performance Quarterly 29 (4), 346-366, 2009 | 49 | 2009 |
| Buscando para nuestra latinidad: Utilizing La Llorona for Cultural Critique ST Moreman, B Marie Calafell Journal of International and Intercultural Communication 1 (4), 309-326, 2008 | 49 | 2008 |
| Learning from and mentoring the undocumented AB540 student: Hearing an unheard voice ST Moreman, P Non Grata Text and Performance Quarterly 31 (3), 303-320, 2011 | 42 | 2011 |
| Iterative hesitancies and Latinidad: The reverberances of raciality BM Calafell, ST Moreman The handbook of critical intercultural communication, 400-416, 2010 | 40 | 2010 |
| Qualitative interviews of racial fluctuations: The “how” of Latina/o-White hybrid identity ST Moreman Communication Theory 21 (2), 197-216, 2011 | 33 | 2011 |
| Deaf Queer world-making: A thick intersectional analysis of the mediated cultural body ST Moreman, SR Briones Journal of International & Intercultural Communication 11 (3), 216-232, 2018 | 27 | 2018 |
| Rethinking Conquergood: Toward an unstated cultural politics ST Moreman Liminalities: A Journal of Performance Studies 5 (5), 5-4, 2009 | 27 | 2009 |
| Hybrid performativity, south and north of the border: Entre la teoría y la materialidad de hibridación ST Moreman Latina/o communication studies today, 91-111, 2008 | 26 | 2008 |
| A queer futurity autofantasía: Contouring discourses of Latinx through memory and queer youth literature ST Moreman Text & Performance Quarterly 39 (3), 185-202, 2019 | 16 | 2019 |
| Putting crip in the script: A critical communication pedagogical study of communication theory textbooks. A Makkawy, ST Moreman Communication Education 68 (4), 401-416, 2019 | 14 | 2019 |
| The Hispanic-serving institution: Communicating a future with or without a past ST Moreman Communication Education 68 (4), 509-516, 2019 | 12 | 2019 |
| Accommodating desires of disability: A multi-modal methodological approach to Terry Galloway and the Mickee Faust Club ST Moreman QED: A Journal in GLBTQ Worldmaking 6 (3), 149-162, 2019 | 5 | 2019 |
| The terms of my Latino identity: An exploratory auto-ethnographic narrative ST Moreman STUDIES IN SYMBOLIC INTERACTION, VOL 22, 1999 22, 65-75, 1999 | 5* | 1999 |
| Narrative embodiment of Latinx queer futurity: Pause for dramatic affect ST Moreman Gender futurity, intersectional autoethnography: Embodied theorizing from …, 2020 | 4 | 2020 |
| Prime-time television’s first White, female U.S. President: Gender and race discourses of a feminist media artifact ST Moreman, AJ Aiello Journal of Communication Inquiry 44 (2), 139-156, 2020 | 4 | 2020 |
| Third wave feminist analysis of a second wave feminist's art: A feminist oral history of an artist's last performance JA Zenovich, ST Moreman Departures in Critical Qualitative Research 4 (1), 57-80, 2015 | 3 | 2015 |
| Conquergood’s other: Materializing the cultural text of Hmong and Latinx ST Moreman, CN Xiong Text and Performance Quarterly 41 (304), 187-203, 2021 | 2 | 2021 |
| Performativity and the Latina/o-white hybrid identity: Performing the textual self ST Moreman | 2 | 2005 |
Bernadette Marie CalafellChair and Professor, Critical Race and Ethnic Studies, Gonzaga UniversityVerified email at gonzaga.edu
