| The social life of musical instruments E Bates Ethnomusicology 56 (3), 363-395, 2012 | 366 | 2012 |
| Music in Turkey: Experiencing music, expressing culture E Bates Oxford University Press, 2010 | 86 | 2010 |
| What Studios Do E Bates Journal on the Art of Record Production 7, 2012 | 81 | 2012 |
| Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture E Bates Oxford University Press, 2016 | 79 | 2016 |
| Glitches, bugs, and hisses: The Degeneration of Musical Recordings and the Contemporary Musical Work E Bates Bad music: The music we love to hate, 212-225, 2004 | 64 | 2004 |
| Social interactions, musical arrangement, and the production of digital audio in Istanbul recording studios E Bates University of California, Berkeley, 2008 | 40 | 2008 |
| Mixing for parlak and bowing for a büyük ses: the aesthetics of arranged traditional music in Turkey E Bates Ethnomusicology 54 (1), 81-105, 2010 | 39 | 2010 |
| Popular music studies and the problems of sound, society and method E Bates IASPM@Journal 3 (2), 15-32, 2013 | 29 | 2013 |
| Critical Approaches to the Production of Music and Sound S Bennett, E Bates | 28 | 2018 |
| Actor-Network Theory and Organology E Bates Journal of the American Musical Instrument Society 44, 41-51, 2019 | 22 | 2019 |
| Music, Mobility and Distributed Recording Production in Turkish Protest Music E Bates The Oxford Handbook of Mobile Music Studies 2, 339-360, 2014 | 12* | 2014 |
| Vinyl as event: Record Store Day and the value-vibrant matter nexus E Bates Journal of Cultural Economy 13 (6), 690-708, 2020 | 11 | 2020 |
| The Production of Music and Sound: A Multidisciplinary Critique E Bates, S Bennett Critical Approaches to the Production of Music and Sound, 1-22, 2018 | 10 | 2018 |
| Ron’s right arm: tactility, visualization, and the synesthesia of audio engineering E Bates Journal on the Art of Record Production ISSN: 1754-9892 4 (i), 2009 | 10 | 2009 |
| Technological Encounters in the Interculturality of Istanbul's Recording Studios E Bates El Oído Pensante 7 (1), 145-171, 2019 | 9 | 2019 |
| Look at all those big knobs! Online audio technology discourse and sexy gear fetishes E Bates, S Bennett Convergence 28 (5), 1241-1259, 2022 | 7 | 2022 |
| Resource ecologies, political economies and the ethics of audio technologies in the Anthropocene E Bates Popular Music 39 (1), 66-87, 2020 | 7 | 2020 |
| Ambient music E Bates Masters Theses, 8, 1997 | 7 | 1997 |
| The interface and instrumentality of Eurorack modular synthesis E Bates Rethinking music through science and technology studies, 170-188, 2021 | 6 | 2021 |
| Feeling Analogue: Using Modular Synthesizers, Designing Synthesis Communities E Bates Shaping Sound and Society, 54-73, 2021 | 6 | 2021 |
Samantha BennettProfessor of Music, Australian National UniversityVerified email at anu.edu.au
