| Celebrity, Seriality, and Corporate Social Media: Alterations to Video Form and Content in the Transition to YouTube Red M Collier | 3 | 2018 |
| Unknown, Unknown, Delaware, Unknown”: The Mind-Games of “Severance M Collier New Review of Film & Television Studies. https://nrftsjournal. org/severance, 2023 | 1 | 2023 |
| Black box universe: the mind-game phenomenon, the hacker film, and the new millennium M Collier New Review of Film and Television Studies 21 (3), 544-566, 2023 | | 2023 |
| The Process Genre: Cinema and the Aesthetic of Labor M Collier Film Quarterly 74 (1), 109-111, 2020 | | 2020 |
| The sonic episteme: acoustic resonance, neoliberalism, and biopolitics: by Robin James. Duke University Press: Durham and London, 2019, 245 pages. $26.95 (PB), 978-1-4780-0664-0 M Collier Sound Studies 6 (2), 257-270, 2020 | | 2020 |
| INFINITE JUDGEMENTS AND TRANSCENDENTAL LOGIC A Longo Cosmos and History: The Journal of Natural and Social Philosophy 20 (2), 2020 | | 2020 |
| Capital Is Dead: Is This Something Worse?, by McKenzie Wark M Collier Afterimage: The Journal of Media Arts and Cultural Criticism 47 (1), 89-92, 2020 | | 2020 |
| Infinite Judgements and Transcendental Logic E Erkan, A Longo, M Collier | | 2020 |
| Vivian Ostrovsky: Plunge M Collier Film Comment 55 (4), 76-76, 2019 | | 2019 |
| The Wild Frontier M Collier Film Comment 55 (3), 76-76, 2019 | | 2019 |
