| Interacting with Musebots AR Brown, M Horrigan, A Eigenfeldt, T Gifford, D Field, J McCormack | 9 | 2018 |
| The liminoid in single-player videogaming: A critical and collaborative response to recent work on liminality and ritual M Horrigan Game Studies 21 (2), 2021 | 3 | 2021 |
| Playing for the Legend in the Age of Empires II Online Community M Horrigan Press Start 8 (1), 20-40, 2022 | 1 | 2022 |
| A flattering Robopocalypse: Human exclusion and the procedural rhetoric of captcha M Horrigan M/C Journal 23 (6), 2020 | 1 | 2020 |
| Cineworlding: A Review M Horrigan Performance Matters 9 (1-2), 406-408, 2023 | | 2023 |
| Draining a Swamp M Horrigan The Comparative Media Arts Journal 13 (1), 2023 | | 2023 |
| Enormous Fabricated Ability: Boosting in the Battlefront II Player Community M Horrigan | | 2023 |
| Protocolar Power and the Texts of Game Cultures M Horrigan | | 2023 |
| Listening to interruptions: sonic dominance and sonic norms M Horrigan Sound Studies 8 (2), 219-234, 2022 | | 2022 |
| Nulltopia: Of Disjunct Space M Horrigan Acta Ludologica 5 (2), 58-70, 2022 | | 2022 |
| Aggregate Monsters: Ecologies Challenging Encounters M Horrigan Analog Game Studies 8, 2021 | | 2021 |
| The Scholar Class at the Tabletop Roleplay Party M Horrigan, B Young First Person Scholar, 2020 | | 2020 |
| Flatness and Non-Immersion MR Horrigan Simon Fraser University, 2016 | | 2016 |
Arne EigenfeldtProfessor, School for the Contemporary Arts, Simon Fraser UniversityVerified email at sfu.ca
