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Randy Laist
Randy Laist
Professor of English, University of Bridgeport
Verified email at goodwin.edu
Title
Cited by
Cited by
Year
Technology and postmodern subjectivity in Don DeLillo's novels
R Laist
Peter Lang, 2010
702010
The Concept of Disappearance in Don DeLillo's Cosmopolis
R Laist
Critique: Studies in Contemporary Fiction 51 (3), 257-275, 2010
412010
Cinema of simulation: hyperreal Hollywood in the long 1990s
R Laist
Bloomsbury Publishing USA, 2015
272015
The self-deconstructing canon: teaching the survey course without perpetuating hegemony
R Laist
142009
Sartre and the roots of plant horror
R Laist
Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, 163-178, 2016
72016
American environments: Technology and subjectivity in the novels of Don DeLillo
R Laist
University of Connecticut, 2009
62009
Don DeLillo After the Millennium: Currents and Currencies
K Daanoune, S Dill, G Herren, J Kavadlo, M Kavanagh, R Laist, ...
Lexington Books, 2017
52017
Lost: une «romance» shakespearienne?
S Hatchuel, R Laist
TV/Series, 2016
52016
Apocalyptic Nostalgia in the Prologue of Don DeLillo’s Underworld
R Laist
FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, 1-11, 2007
52007
Looking for Lost: Critical Essays on the Enigmatic Series
R Laist
McFarland, 2014
42014
11. Showdown at the Café’80’s: The Back to the Future Trilogy as Baudrillardian Parable
R Laist
The Worlds of Back to the Future: Critical Essays on the Films, 216, 2010
42010
The Hyperreal Theme in 1990s American Cinema
R Laist
Americana: The Journal of American Popular Culture 9, 2010
42010
Oedison Rex: The Art of Media Metaphor in Don DeLillo's" Americana"
R Laist
Modern Language Studies, 50-63, 2008
42008
A Curriculum of Things: Exploring an Object-Oriented Pedagogy.
R Laist
National Teaching & Learning Forum 25 (3), 2016
32016
Tarantino’s Pulp Fiction and Baudrillard’s Perfect Crime
R Laist
International Journal of Baudrillard Studies 10 (1), 2013
32013
" Good Writing": Defining It and Teaching It
R Laist
Transformative Dialogues: Teaching and Learning Journal 14 (2), 2021
22021
Excavating Indiana Jones: Essays on the Films and Franchise
R Laist
McFarland, 2020
22020
Profiles in Ontological Rebellion: The Presence of Moby-Dick in Heathers
R Laist
Leviathan 11 (3), 72-78, 2009
22009
“The Style of What is to Come”: Representations of the World Trade Center in the Novels of Don DeLillo
R Laist
Environment, Space, Place 1 (1), 121-137, 2009
22009
Don DeLillo: The Possibility of Fiction
R Laist
Rocky Mountain Review 62 (2), 146-148, 2008
22008
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