| Colonial Choreography: Staging Sri Lankan Dancers under British Colonial Rule from the 1870s-1930s SBMM Arachchilage University of Maryland, College Park, 2018 | 5 | 2018 |
| A pedagogy of decolonial choreography: Reflections of a South Asian dance practitioner S Mantillake Journal of Dance Education, 1-6, 2022 | 4 | 2022 |
| Decolonizing dance movement therapy: A healing practice stuck between coloniality and nationalism in Sri Lanka S Mantillake Creative Arts in Education and Therapy (CAET), 149-157, 2021 | 2 | 2021 |
| Evaluating the programme and behavior change theories of a community alcohol education intervention in rural Sri Lanka: a study protocol JB Sørensen, KSK Lee, A Dawson, A Dawson, L Senarathna, ... Global Health Action 16 (1), 2273625, 2023 | 1 | 2023 |
| Performance studies and inter-disciplinary research S Mantillake University of Colombo, Sri Lanka 4 (1), 2023 | | 2023 |
| Stigmatizing the Drummer in Traditional Performances of Sri Lanka: A Study Based on Kooththu and Kōlam S Mantillake, K Parthiban Department of fine arts, University of Kelaniya Sri Lanka, 2023 | | 2023 |
| Panibharata and the Invention of Sinhala Folk Dance Repertoires in Post-Colonial Sri Lanka S Mantillake Sri Lanka Journal of Humanities 43 (2), 40-57, 2022 | | 2022 |
| The Tea Dance: A Choreographic Representation of Tamil Tea Plantation Workers within the Modern Sri Lankan Folk Dance Repertoire S Mantillake Sri Lanka Journal of Social Sciences 45 (1), 57-64, 2022 | | 2022 |
| Angampora and Dance: Some Historical and Kinesthetic Connections S Mantillake Mise en Abyme: International Journal of Comparative Literature and Arts 8 (2 …, 2021 | | 2021 |
| Diversity of the Dance Scene in Pre-Colonial Sri Lanka: A Study based on Kandyan Dance S Mantillake Sāhitya Literary Journal 2020-2021, 54-68, 2021 | | 2021 |
| Developing Forum-Sanni Theatre Model: A Comparative Study on the ‘Forum Theatre’and ‘Sanni Yakuma’Ritual Theatre as an Empowering Tool for Public Health Interventions. NG Arachchi, L Senarathna, S Mantillake, P Fonseka University of the Visual and Performing Arts, 2019 | | 2019 |
| උඩරට වෙස් නැටුම බවට පත්වූ යක්ෂ නැටුම (The devil dance that became Kandyan dance) සුදේශ් මන්තිලක Sathmandala Magazine - Lake House, Colombo, Sri Lanka, 2019 | | 2019 |
| The Ceylon Tea Dance: The Creation of an Imaginary Folk Dance on the Ethnic Other S Mantillake UVPA – ICTM Joint International Research Symposium 2019. By International …, 2019 | | 2019 |
| Historicizing the Presentation of Sri Lankan Dancers in Colonial Exhibitions S Mantillake Journal of Visual & Performing Arts Research 2 (1), 5-12, 2019 | | 2019 |
| සැබෑ ගුරුවරයා හඳුනාගැනීම සහ ලිඳ ගුරුවරයාගේ වුවත් ලිඳේ ඇත්තේ කරදිය නම් පානය නොකිරීම (We Should not Drink Salt Water even if the Well Belong to Our own Teacher) සුදේශ් මන්තිලක The Keynote address at “Performing Arts for the 21st Century” Student …, 2018 | | 2018 |
| Dance Ritual of the Eighteen Vannamas S Mantilleke Pamphlet, 2010 | | 2010 |
| Ves Natuma: Sagnarthavedatmaka kiyavimak S Mantillake Battaramulla: Vishada Publications, 2010 | | 2010 |
| The Portrayal of the Psychiatric Patient (Violet) in the Film Pawuru Walalu: A Case Study S Dias, A Samarakoon, S Mantillake University of Peradeniya, Sri Lanka, 2009 | | 2009 |
| Problems and Solutions in Training Farmers in Participatory Video Making: A Case Study A Samarakoon, S Mantillake Proceedings of the Agricultural Extension Conference 2009, University of …, 2009 | | 2009 |
| Ves näţuma, a common dance type in Kandyan dance of Sri Lanka: a semiotic analysis of selected features with a brief introduction to the relevant approaches of … S Mantillake Studies in Theatre and Performance 29 (2), 187-192, 2009 | | 2009 |
Athula SamarakoonSenior LecturerVerified email at pdn.ac.lk
