| What revolution looks like: The work of Black Panther artist Emory Douglas C Gaiter Black Panther: The Revolutionary Art of Emory Douglas, 93-109, 2007 | 17 | 2007 |
| Visualizing a Black Future: Emory Douglas and the Black Panther Party C Gaiter Journal of Visual Culture 17 (3), 299-311, 2018 | 8 | 2018 |
| The revolution will be visualized: Black Panther Artist Emory Douglas E Douglas, C Gaiter, E Auther, A Lerner West of center: art and the counterculture experiment in America 1977, 240-253, 1965 | 7 | 1965 |
| African diaspora in the cultures of Latin America, the Caribbean, and the United States P Alberto, E Chambers, MD Torres, C Gaiter, CG Montero, CE Henderson, ... Rowman & Littlefield, 2014 | 6 | 2014 |
| The revolution will be visualized: Emory Douglas in the Black Panther C Gaiter Bad Subjects 65, 2004 | 6 | 2004 |
| Visualizing the virus C Gaiter The Conversation Africa, 2020 | 4 | 2020 |
| Visualizing a revolution: Emory Douglas and the Black Panther newspaper C Gaiter AIGA: The Professional Association for Design, 2005 | 4 | 2005 |
| Private broadcasts/public conversations C Gaiter Public Art Review 7, 8-11, 1995 | 3 | 1995 |
| Introspection and Projection in Cuban Art C Gaiter African Diaspora in the Cultures of Latin America, the Caribbean, and the …, 2014 | 2 | 2014 |
| SPACE| RACE C Gaiter ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs …, 1996 | 2 | 1996 |
| The Art of Liberation: Emory Douglas and the Black Panther Artists in 1968 C Gaiter South Atlantic Quarterly 119 (3), 567-586, 2020 | 1 | 2020 |
| The Black Panther newspaper and revolutionary aesthetics C Gaiter Art, Global Maoism and the Chinese Cultural Revolution, 87-108, 2019 | 1 | 2019 |
| Black Artists and Race in the US and Cuba. Reflections after more than a half century of liberation and civil rights C Gaiter Universidad de La Habana, 197-212, 2018 | 1 | 2018 |
| Artistas negros y raza en EE. UU. y Cuba. Reflexiones después del medio siglo de la liberación y los derechos civiles C Gaiter Universidad de La Habana, 2018 | | 2018 |
| ALL POWER! VISUAL SEMIOTICS IN THE WORK OF EMORY DOUGLAS C Gaiter | | |
