| The ideology of moderated modernism in Serbian music and musicology I Medić Музикологија/Musicology, 279-294, 2007 | 32 | 2007 |
| Arhai's Balkan Folktronica: Serbian Ethno Music Reimagined for British Market I Medić Музикологија/Musicology, 105-127, 2014 | 18 | 2014 |
| Klavirska muzika Vasilija Mokranjca I Medić, V Mokranjac Studentski kulturni centar, 2004 | 15 | 2004 |
| Made in Yugoslavia D Beard, L Rasmussen Studies in Popular Music. New York: Routledge, 2020 | 11 | 2020 |
| The soundscape of change: the reculturalization of Savamala I Medić Musicological Annual 52 (2), 39-53, 2016 | 11 | 2016 |
| Years of sound living: Mikser festival in Savamala (2012-2016) I Medić Музикологија/Musicology 1 (22), 39-57, 2017 | 10 | 2017 |
| The Impossible Avant-garde of Vladan Radovanović I Medić Musicological Annual/Muzikološki zbornik 55 (1), 157-176, 2019 | 8 | 2019 |
| Beyond the East-West divide: Balkan music and its poles of attraction I Medić, K Tomašević Belgrade: Institute of Musicology, Serbian Academy of Sciences and Arts, 2015 | 8 | 2015 |
| From Polystylism to Meta-Pluralism: Essays on Late Soviet Symphonic Music I Medić | 7 | 2017 |
| Music of the lost generation: Serbian émigré composers I Medić Serbian Music: Yugoslav Contexts, 143-164, 2014 | 7 | 2014 |
| Gubaidulina, misunderstood I Medić Muzikologija, 101-123, 2012 | 6 | 2012 |
| Alfred schnittke's symphonies 1-3 in the context of late Soviet music I Medic The University of Manchester, 2010 | 6 | 2010 |
| THE DRAMATURGICAL FUNCTION OF THE IMPROVISATORY SEGMENTS OF FORM IN ALFRED SCHNITTKE'S FIRST SYMPHONY. I Medić New Sound: International Magazine for Music, 2008 | 6 | 2008 |
| Moderated Modernism in Russian Music After 1953 I Medić Rethinking Musical Modernism. Proceedings of the International Conference …, 2008 | 6 | 2008 |
| Paralelne istorije: savremena srpska umetnička muzika u dijaspori [Parallel Histories: Contemporary Serbian Art Music in the Diaspora] I Medić Belgrade: Institute of Musicology, Serbian Academy of Sciences and Arts, 2020 | 5 | 2020 |
| From Polystylism to Meta-Pluralism I Medić Essays on Late Soviet Symphonic Music, Belgrade: Institute of Musicology SASA, 2017 | 5 | 2017 |
| ‘Crucifixus etiam pro nobis’: Representations of the cross in Alfred Schnittke’s Symphony No. 2, “St. Florian” I Medić Schnittke Studies, 3-29, 2016 | 5 | 2016 |
| The Works Commisioned by Belgrade Music Festival (BEMUS) 2002–2013: Contemporary Music Creation in a Transitional Society I Medić, J Janković-Beguš Music: Transitions/Continuities, 317-329, 2016 | 5 | 2016 |
| In the Orbit of Shostakovich: Vasilije Mokranjac's Symphonies I Medić Music and Society in Eastern Europe 8, 1-21, 2013 | 5 | 2013 |
| Applied Musicology: A “Manifesto”, and a Case Study of a Lost Cultural Hub I Medić Musiciology, 87-102, 2022 | 4 | 2022 |
Jelena Janković-BegušBelgrade Festivals Center (CEBEF); Independent researcher, PhDVerified email at cebef.rs
