| THE DISCOURSE OF SPIRITUAL AND EXISTENTIAL FORMATION OF IVAN FRANKO: THE CONCEPT OF PERSONALITY M ZYMOMRYA, M YAKUBOVSKA Accents and Paradoxes of Modern Philology 1 (5), 96-116, 2020 | 5 | 2020 |
| THE IDENTITY CRISIS IN THE CONTEXT OF GLOBALIZATION IN THE NOVEL BY OLGA TOKARCZUK “FLIGHTS” K BUTSKA Accents and Paradoxes of Modern Philology 1 (5), 7-24, 2020 | 5 | 2020 |
| Signs of place in Native American literature: affinity of indigenous space and text S Kot Accents and Paradoxes of Modern Philology 1 (2), 5-18, 2017 | 5 | 2017 |
| Pragmatic and stylistic aspects of expressing tolerance in modern American short stories A YEMETS Accents and Paradoxes of Modern Philology 1 (3), 88-98, 2018 | 4 | 2018 |
| Ideological and artistic world in the novel by А. Nothomb “Métaphysique des tubes” M BELYAVSKAYA Accents and Paradoxes of Modern Philology 1 (3), 31-43, 2018 | 4 | 2018 |
| Linguoecological approach to capturing concepts: a case study of transparency O Morozova Accents and Paradoxes of Modern Philology 1 (2), 32-51, 2017 | 4 | 2017 |
| Philosophical problems of the dramatical works by Eric-Emmanuel Schmitt O VASILIEVA Accents and Paradoxes of Modern Philology 1 (5), 68-80, 2020 | 2 | 2020 |
| Literary biography: narrative features T Cherkashyna Accents and Paradoxes of Modern Philology 1 (1), 5-13, 2017 | 2 | 2017 |
| TRICKSTER ARCHETYPE IN MODERN MEDIA CULTURE: SHOWIZATION AND DEMONISM N BUKINA Accents and Paradoxes of Modern Philology 1 (6), 39–60-39–60, 2021 | 1 | 2021 |
| THE PROBLEM OF BLURRED CORE BINARY OPPOSITIONS IN THE NOVEL ALL THE LIGHT WE CANNOT SEE BY ANTHONY DOERR U ZHORNOKUI Accents and Paradoxes of Modern Philology 1 (5), 81-95, 2020 | 1 | 2020 |
| The Conquest and Resistance, a Woman and a Man: Feminist and Imagological Reading of WS Maugham’s “The Unconquered” K Semeryn Accents and Paradoxes of Modern Philology 1 (4), 109–119-109–119, 2019 | 1 | 2019 |
| Stunning destinies of famous students of Kharkov university F ANDREEV Accents and Paradoxes of Modern Philology 1 (3), 4-30, 2018 | 1 | 2018 |
| Semantics of approximative particles in contemporary Italian S Mercantini Accents and Paradoxes of Modern Philology 1 (1), 42-49, 2017 | 1 | 2017 |
| TYPES AND FUNCTIONS OF SOUND WRITING IN LYRICAL POEMS BY RAINER MARIA RILKE L BEZUGLA, M TKACHIVSKA Accents and Paradoxes of Modern Philology 1 (7), 7-33, 2022 | | 2022 |
| MEXICAN EXPERIENCES OF B. TRAVEN: THE POSSIBILITY OF IMAGOLOGICAL READING O MANDRYKO Accents and Paradoxes of Modern Philology 1 (7), 69-85, 2022 | | 2022 |
| POSTMODERNIST CONCEPTIONS OF TEXT AND WRITING IN CREATIVE WORKS BY MARGUERITE DURAS Z KUSHCHENKO, D PESOTSKA Accents and Paradoxes of Modern Philology 1 (7), 52-68, 2022 | | 2022 |
| PECULIARITIES OF TRANSLATION OF EXOTICISMS OF THE NOVEL THE PROSPECTOR BY JEAN-MARIE GUSTAVE LE CLÉZIO INTO UKRAINIAN H BOHACHENKO Accents and Paradoxes of Modern Philology 1 (7), 34-51, 2022 | | 2022 |
| TRANSFRONTALITY OF LITERARY IMAGES: EXTRAPOLATION OF THE ITALIAN PUPPET HERO PULCINELLA Y TYMOFIEIEVA Accents and Paradoxes of Modern Philology 1 (7), 86-107, 2022 | | 2022 |
| JEWISH ASSOL’S WEDDING PLAN, OR ESHET HAIAL BREAKS THE WALLS: AN EXCELLENT WOMAN IN RAMA BURSHTEIN’S LAAVOR AT HA-KIR B ZISELMAN, I USTYUZHYN Accents and Paradoxes of Modern Philology 1 (7), 108-121, 2022 | | 2022 |
| NONFICTIONAL LITERATURE: NATURE, TYPOLOGY, TERMINOLOGY T CHERKASHYNA, B PARAMONOV Accents and Paradoxes of Modern Philology 1 (6), 72-100, 2021 | | 2021 |
