| Costume and Makeup as Indispnsable Arts in Theatre Practice: A Historical Survey. SO Shuaib The Creative Artist: A Journal of Theatre and Media Studies. 2 (1), 133-153, 2008 | 4 | 2008 |
| Costume and Makeup Practice in Contemporary Theatre SO Shuaib Technical Theatre Practice in Nigeria: Trends and Issues. 1, 57-72, 2006 | 4* | 2006 |
| African Traditional Body Art and Contemporary Realities SO SHUAIB International Journal of Humanitatis Theoreticus 3 (1), 127-140, 2020 | 2 | 2020 |
| Advancing Theatre Costume and Makeup As Agents Of Cultural Transmission And Rejuvenation In Duroladipo's Ọbakò So SO Shuaib International Online Journal of Language, Communication, and Humanities 3 (1 …, 2020 | | 2020 |
| EXPLORING THE HISTORICISM AND THEATRICAL AESTHETICS IN ÈỴ Ọ̀ MASQUERADE FESTIVAL SS Olápéjú, LMÀ Yétúndé e-BANGI 17 (7), 105-116, 2020 | | 2020 |
| The Socio Cultural Significance of Music in Fulani Bolorunduro Marriage Ceremony of Ilorin, Kwara State SO Shuaib, AA Popoola Department of Sociology, Kaduna State University, 2018 | | 2018 |
| Performance aesthetics and structural analysis of music in the Bolorunduro Fulani marriage ceremony OS Shuaib, AA Popoola Creative Artist: A Journal of Theatre and Media Studies 12 (2), 55-74, 2018 | | 2018 |
| AN EXPLORATION OF DANCE AND TECHNICAL AESTHETICS IN OBATALA FESTIVAL OF ILE-IFE, OSUN STATE, NIGERIA SO Shuaib, HB Yusuf e-BANGI 12 (2), 196-213, 2017 | | 2017 |
| Evolutionary Trends of Make-up Art in Western Theatre SO Shuaib The Department of Theatre Studies, Methodist University College, Ghana …, 2017 | | 2017 |
| Colour Syncronisation in Stage Designs SO Shuaib Department of the Performing Arts, University of Ilorin, 2016 | | 2016 |
| Indigenous Decorated Fabric Production using Jatropha curcas and Indigofera tinctora Dyes SS Olapeju A Journal of the Society for the Conservation of Phytofuels and Sciences, 2016 | | 2016 |
| Indigenous Decorated Fabric Production using Jatropha Curcas and Indigofera Tinctora Dyes SO Shuaib, BI Awosika International Journal of Phytofuels and Allied Sciences. 5 (1), 15-26, 2016 | | 2016 |
| The Art of Colour Synchronization In Stage Design: The Example of Victor Eze‟ S Wailing Grave Dance Production SO Shuaib Journal Of Theatre And Media Studies (jotams) 1, 2016 | | 2016 |
| Jatropha Oil: Source of Glycerine for the Production of Cosmetic and Theatre/Film Make-up Products. SO Shuaib, MA Belewu Manual of Jatropha Curcas: A Greengold Plant. 1 (1), 31-33, 2015 | | 2015 |
| Theatre Costume Management and Climate Change in Ilorin-Kwara State Nigeria SO Shuaib, RM Olarewaju Ilorin Journal of Sociology 7 (1), 99-144, 2015 | | 2015 |
| Traditional Religion among the Owe People SO Shuaib, MAY Lewu Department of History & Int'l Studies, Kogi State University, Anyigba, 2014 | | 2014 |
| Traditional Religion among the Owe People: A Historical and Theatrical Significance of Aboh Egungun Masquerade Festival since 1900 SO Shuaib, MAY Lewu Journal of African Politics and Society 3 (2), 153-162, 2014 | | 2014 |
| Spirituality, Aesthetics and Cultural Feminism of Obitun Festival amongst the Ondo People of South-Western Nigeria IA Briget, SO Shuaib Department of History, Kaduna State University, 2013 | | 2013 |
| Spirituality, Aesthetics and Cultural Feminism of Obitun Festival in Ondo Town, Nigeria SO Shuaib, BI Awosika Kaduna Journal of Historical Studies. 5 (1), 76-89, 2013 | | 2013 |
| Theatre Option in the Management of Radicalization and Radicalized Groups in Nigeria SO Shuaib, JO Ojuade Managing Security in a Globalized World 1, 152-160, 2012 | | 2012 |
