| Hamiltonian cycles in the topological dual of the tonnetz G Albini, S Antonini Mathematics and Computation in Music: Second International Conference, MCM …, 2009 | 23 | 2009 |
| Hamiltonian graphs as harmonic tools G Albini, MP Bernardi Mathematics and Computation in Music: 6th International Conference, MCM 2017 …, 2017 | 8 | 2017 |
| Combinatorics, probability and choice in music composition: Towards an aesthetics of composing systems for non-musicians G Albini Proceedings of Bridges 2018: Mathematics, Art, Music, Architecture …, 2018 | 7 | 2018 |
| Graph Theory and Music: A Mathematical Tool for Musicians G Albini, MP Bernardi ICGG 2018-Proceedings of the 18th International Conference on Geometry and …, 2019 | 6 | 2019 |
| Composing New with the Old: Musical Stylometry as a Means of Composing New Music for Classical Guitar G Albini, F Nastari 2nd Dublin Guitar Symposium, 2019 | 4 | 2019 |
| Tropical Generalized Interval Systems G Albini, MP Bernardi Mathematics and Computation in Music: 7th International Conference, MCM 2019 …, 2019 | 3 | 2019 |
| Strutture Musicali da un Punto di Vista Algebrico G Albini Università degli Studi di Pavia, 2005 | 3 | 2005 |
| The Music of Reason, the Reason for Music: Mathematics at the Service of Composition Practice and Aesthetics G Albini Revista Arta 28 (2), 54-59, 2019 | 2 | 2019 |
| Modelli Matematici per l’Analisi e la Composizione Musicale: Uno Studio sul Tonnetz e sulle Teorie Neo-Riemanniane G Albini Università degli Studi di Pavia, 2008 | 2 | 2008 |
| Composing idiomatic music for guitar using distant reading strategies G Albini, M Oppizzi The 21st Century Guitar 1 (1), 14, 2023 | 1 | 2023 |
| Reflections between image and sound: a joint retrospect on Velazquez's" Las Meninas" and Purcell's" Dido and Aeneas" G Albini, L Cocchiarella RIFLESSIONI-REFELACTONS. L'arte del disegno/il disegno dell'arte-The art of …, 2019 | 1 | 2019 |
| Transformation-Based Musical Graphs G Albini, MP Bernardi, L Cocchiarella Graphics and Application. The 12th Asian Forum on Graphic Science. Abstracts …, 2019 | 1 | 2019 |
| Combinatorial Features as Cues and Means of Music Innovation G Albini Rivista di Analisi e Teoria Musicale 24 (2018-1), 33-52, 2018 | 1 | 2018 |
| Implicazioni formali dell’allargamento della concezione della prossimità tonale: il secondo movimento della sonata per violino e pianoforte n. 5, op. 24, di Ludwig van Beethoven G Albini Atti del XXII Convegno Internazionale sul Violino a cura di Gianni Drascek …, 2022 | | 2022 |
| Perché le note sono sette G Albini | | 2021 |
| MULTICULTURALISM AS A CREATIVE TRIGGER: A MUSIC COMPOSERS'INSIGHT AND EXPERIENCE. F Nastari, G Albini Musicology & Cultural Science/Musikismc'odneoba da Kulturologia 23 (1), 2021 | | 2021 |
| Mathematics For, Through and Towards Composition Practice: Combinatorial Features As Means of Music Innovation G Albini Music – the Cultural Bridge. Essence, Contexts, References, 249-259, 2021 | | 2021 |
| Transfiguring Conventional Music Elements G Albini Estonian Academy of Music and Theatre, 2021 | | 2021 |
| Postfazione G Albini Simmetrie tra Matematica e Musica, 261-263, 2020 | | 2020 |
| Elena Perri Loverdos: I Programmi Musicali G Albini Elena Perri Loverdos: Mezzo secolo di danza a Pavia, 107, 2019 | | 2019 |
Samuele AntoniniUniversità di FirenzeEmail verificata su unifi.it
