| Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy R Cypess University of Chicago Press, 2016 | 40 | 2016 |
| Sara Levy's world: gender, judaism, and the Bach tradition in enlightenment Berlin R Cypess, N Sinkoff Boydell & Brewer, 2018 | 18 | 2018 |
| " Esprimere la voce humana": Connections between Vocal and Instrumental Music by Italian Composers of the Early Seventeenth Century R Cypess Journal of Musicology 27 (2), 181-223, 2010 | 17 | 2010 |
| Women and Musical Salons in the Enlightenment R Cypess Women and Musical Salons in the Enlightenment:, 2022 | 13 | 2022 |
| Chambonnières, Jollain and the first engraving of harpsichord music in France R Cypess Early Music 35 (4), 539-554, 2007 | 13 | 2007 |
| ‘It Would Be without Error’: Automated Technology and the Pursuit of Correct Performance in the French Enlightenment R Cypess Journal of the Royal Musical Association 142 (1), 1-29, 2017 | 11 | 2017 |
| “Die Natur und Kunst zu betrachten”: Carlo Farina's Capriccio stravagante (1627) and the Cultures of Collecting at the Court of Saxony R Cypess The Musical Quarterly 95 (1), 139-192, 2012 | 10 | 2012 |
| Jewish studies and music K Móricz, R Seter, JM Cohen, A Knapp, SJ Cahn, R Cypess, E Seroussi Journal of the American Musicological Society 65 (2), 557-592, 2012 | 9 | 2012 |
| ‘Memento mori Froberger?’Locating the self in the passage of time R Cypess Early Music 40 (1), 45-54, 2012 | 8 | 2012 |
| The Anthropomorphic Analogy: Humanising musical machines in the early modern and contemporary eras R Cypess, S Kemper Organised Sound 23 (2), 167-180, 2018 | 7 | 2018 |
| keyboard-duo arrangements in eighteenth-century musical life R Cypess Eighteenth-Century Music 14 (2), 183-214, 2017 | 7 | 2017 |
| Frescobaldi's Toccate e partite... libro primo (1615–1616) as a pedagogical text. Artisanship, imagination, and the process of learning R Cypess Recercare, 103-138, 2015 | 7 | 2015 |
| Instrumental Music and ‘Conversazione’in Early Seicento Venice: Biagio Marini’s ‘Affetti Musicali’(1617) R Cypess Music and Letters 93 (4), 453-478, 2013 | 7 | 2013 |
| Music historicism: Sara Levy and the Jewish Enlightment R Cypess Bach and the counterpoint of religion, 129-151, 2018 | 6 | 2018 |
| Word, Image, and Song: Essays on Early Modern Italy R Cypess, BL Glixon, N Link University of Rochester Press, 2013 | 5 | 2013 |
| Evidence about the" Lira da Braccio" from Two Seventeenth-Century Violin Sources R Cypess The Galpin Society Journal 60, 147-160, 2007 | 5 | 2007 |
| Can musical machines Be expressive? Views from the enlightenment and today S Kemper, R Cypess Leonardo 52 (5), 448-454, 2019 | 4 | 2019 |
| The community as ethnographer: Views of classical music in the English-speaking Orthodox Jewish community R Cypess International Review of the Aesthetics and Sociology of Music, 117-139, 2010 | 4 | 2010 |
| MADAME LAVOISIER'S MUSIC COLLECTION R Cypess Notes 77 (2), 224-252, 2020 | 3 | 2020 |
| Giovanni Battista Della Porta’s Experiments with Musical Instruments R Cypess Journal of Musicological Research 35 (3), 159-175, 2016 | 3 | 2016 |
