| Investigating tangential access for location-based digital cultural heritage applications D McGookin, K Tahiroğlu, T Vaittinen, M Kytö, B Monastero, JC Vasquez International Journal of Human-Computer Studies 122, 196-210, 2019 | 44 | 2019 |
| Exploring seasonality in mobile cultural heritage D McGookin, K Tahiroălu, T Vaittinen, M Kytö, B Monastero, JC Vasquez Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017 | 24 | 2017 |
| Idiomatic composition practices for new musical instruments: Context, background and current applications JV Gomez, K Tahiroglu, J Kildal International Conference on New Interfaces for Musical Expression, 174-179, 2017 | 20 | 2017 |
| Facilitating the musician's engagement with new musical interfaces: Counteractions in music performance K Tahiroğlu, JC Vasquez, J Kildal Computer Music Journal 41 (2), 69-82, 2017 | 9 | 2017 |
| Non-intrusive Counter-actions: Maintaining Progressively Engaging Interactions for Music Performance. K Tahiroglu, JC Vasquez, J Kildal NIME, 444-449, 2016 | 9 | 2016 |
| Motivic through-composition applied to a network of intelligent agents JC Vasquez, K Tahiroglu, J Kildal ICMC, 2016 | 6 | 2016 |
| Considerations on Sound Art Documentation: Theories and Case Studies JC Vasquez Proceedings of the International Computer Music Conference (ICMC), 2018 | 3 | 2018 |
| Cultural heritage'in-The-wild': Considering digital access to cultural heritage in everyday life D McGookin, K Tahiroglu, T Vaittinen, M Kytö, B Monastero, JC Vasquez Digital Humanities in the Nordic Countries, 63-75, 2018 | 2 | 2018 |
| Defragmenting Beethoven: Sound Appropriation as Bridge between Classical Tradition and Electroacoustic Music JC Vasquez Helsinki: Aalto University, 2016 | 2 | 2016 |
| Current Activism Trends in Sound Art and Electroacoustic Music in Mexico and Colombia JC Vasquez, O Fraire Proceedings of the International Computer Music Conference, 342-346, 2020 | 1 | 2020 |
| Sound appropriation and musical borrowing as a compositional tool in new electroacoustic music JC Vasquez Leonardo Music Journal 29, 88-92, 2019 | 1 | 2019 |
| Defragmenting Beethoven: Sound appropriation as bridge between classical tradition and electroacoustic music J Vasquez Gomez | 1 | 2016 |
| Performance of" Maquina M." at the MediSouP 2024 Festival JC Vasquez | | 2024 |
| Second performance of" Fauna of Mirrors", for ensemble, electronics and video JC Vasquez | | 2024 |
| Performance of multi-channel piece" A Chinese Triptych" in SEAMUS 2024 JC Vasquez | | 2024 |
| Performance of" Fauna of Mirrors", for ensemble, electronics and video JC Vasquez | | 2024 |
| Interactive Gamification for New Experimental Music: Initial Findings JC Vasquez Gomez Extended Abstracts of the 2022 Annual Symposium on Computer-Human …, 2022 | | 2022 |
| Collaborative Electroacoustic Music Composition on the Blockchain K Giannoutakis, JC Vasquez | | 2022 |
| Autoethnography and Emotional Exposure as an Approach for Electroacoustic Music Composition B Brown, JC Vasquez | | 2020 |
| CECIA (Collaborative Electroacoustic Composition with Intelligent Agents) E Nystrom, P Kokoras, M Gviniashvili, JC Vasquez, M Kosecka Sonic Experiments: Telematics. ZKM, Karlsruhe, Germany.[Concert], 2019 | | 2019 |
Koray TahiroğluAcademy Research Fellow, Department of Art and Media, Aalto University School of ARTSVerified email at aalto.fi
