Vaporwave, or music optimised for abandoned malls L Glitsos Popular Music 37 (1), 100-118, 2018 | 70 | 2018 |
The Pepe the Frog meme: an examination of social, political, and cultural implications through the tradition of the Darwinian Absurd L Glitsos, J Hall Journal for Cultural Research, 2020 | 50 | 2020 |
Having it both ways: Containing the champions of feminism in female-led origin and solo superhero films J Taylor, L Glitsos Feminist Media Studies, 2021 | 10 | 2021 |
COVID-19 and the ‘perfectly governed city’ L Glitsos Journal for Cultural Research 25 (3), 270-286, 2021 | 8 | 2021 |
Nice girls don’t jive: The rise and fade of women in Perth music from the late 1950s to the early 1970s L Glitsos Continuum 31 (2), 200-215, 2017 | 8 | 2017 |
Ways of feeling: The transformation of emotional experience in music listening in the context of digitisation L Glitsos Curtin University, 2016 | 7 | 2016 |
“Sticky business”: An examination of female musicians in the context of Perth’s metal community L Glitsos Popular Music and Society 43 (1), 93-113, 2020 | 5 | 2020 |
Somatechnics and Popular Music in Digital Contexts L Glitsos | 5 | 2019 |
Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s L Glitsos Perfect beat: the Pacific journal of research into contemporary music and …, 2018 | 4 | 2018 |
The Camera Phone in the Concert Space L Glitsos Journal of Music, Sound and the Moving Image 12 (1), 33-52, 2018 | 4* | 2018 |
World-ready: A Journalism Capstone Unit Model with International Focus in a Pandemic and Post-pandemic Landscape L Glitsos Asia Pacific Media Educator 31 (1), 1-15, 2021 | 3 | 2021 |
Frontierswomen and the Perth Scene: Female metal musicians on the ‘Western Front’and the construction of the gothic sublime L Glitsos Australian Metal Music: Identities, Scenes, and Cultures, 91-107, 2019 | 2 | 2019 |
Screen as Skin: The Somatechnics of Touchscreen Music Media L Glitsos Somatechnics 7 (1), 142-165, 2017 | 2 | 2017 |
The Ecology of ‘Sacred Space:’Indie Music’s Exploration and Construction of Sacred Space in the Context of Contemporary Digital Music L Glitsos Communities, Places, Ecologies: Proceedings of the 2013 IASPM-ANZ Conference …, 2014 | 2 | 2014 |
The Claremont serial killer and the production of class-based suburbia in serial killer mythology L Glitsos, J Taylor Continuum 36 (4), 508-527, 2022 | 1 | 2022 |
Fungible J Hall, L Glitsos, J Taylor M/C Journal 25 (2), 2022 | 1 | 2022 |
From rivers to confetti: Reconfigurations of time through new media narratives L Glitsos M/C Journal 22 (6), 2019 | 1 | 2019 |
Liveness in the Age of Digitization L Glitsos, L Glitsos Somatechnics and Popular Music in Digital Contexts, 49-76, 2019 | 1 | 2019 |
The ‘Creative Listener:’Internet, Music, and the Computer-Bodymind Somatechnic L Glitsos, L Glitsos Somatechnics and Popular Music in Digital Contexts, 99-122, 2019 | 1 | 2019 |
Revisiting news editors’ evaluation of journalism courses and graduate employability T Cullen, L Glitsos, A Burns australian journalism review 45 (1), 73-92, 2023 | | 2023 |