| Dialectical Relation Between Music as the Thing Itself and Musical Conventions in Philosophy of New Music by Theodor Adorno D Milenković Filozofska istraživanja 36 (2), 255-271, 2016 | 1 | 2016 |
| Djuijevo pragmatističko poimanje umetnosti u knjizi" Art as Experience" D Milenković Arhe 13 (26), 141-157, 2016 | 1 | 2016 |
| Produkcija i interpretacija nemelodične elektronske muzike - promišljanje delatnosti muzičkih producenata i disk-džokeja D Milenković BARTF 2014 - zbornik radova, 471-482, 0 | 1* | |
| Hermeneutische Tendenzen in Lessings Interpretationen der bildenden Kunst in Laokoon D Milenković Synthesis philosophica 37 (1), 41-67, 2022 | | 2022 |
| Hermeneutical Tendencies in Lessing’s Interpretations of Visual Art in Laocoon D Milenković Synthesis philosophica 37 (1), 41-67, 2022 | | 2022 |
| Hermeneutičke tendencije u Lessingovim interpretacijama likovne umjetnosti u Laokontu D Milenković Synthesis philosophica 37 (1), 41-67, 2022 | | 2022 |
| Les tendances herméneutiques dans les interprétations de Lessing sur les Beaux-Arts dans le Laocoon D Milenković Synthesis philosophica 37 (1), 41-67, 2022 | | 2022 |
| THE CHANGING SOCIAL ECONOMY OF ART: ARE THE ARTS BECOMING LESS EXCLUSIVE? (book review) D Milenković Popular Inquiry, 2022 | | 2022 |
| Idealističko-estetička tendencija Lesingovog učenja u "Laokoonu" D Milenković Nasleđe idealizma, 9-47, 2021 | | 2021 |
| Understated Significance of Form in Gracyk’s Aesthetics of Popular Music D Milenković POPULAR INQUIRY: The Journal of the Aesthetics of Kitsch, Camp and Mass …, 2020 | | 2020 |
| Kratak uvod u recepciju "francuske teorije" (prikaz knjige) D Milenković Godišnjak za sociologiju 15 (23), 97-102, 2019 | | 2019 |
| Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe D Milenković Filozofska istraživanja 39 (4), 853-892, 2019 | | 2019 |
| Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music D Milenković Filozofska istraživanja 39 (4), 853-892, 2019 | | 2019 |
| „Metodološki pojam istine “i epistemološke tendencije u klasičnom pragmatizmu Č. S. Persa i V. Džemsa D Milenković Arhe, 219-243, 2019 | | 2019 |
| Aesthetic experience of popular music and its role in Shusterman’s defense of popular art D Milenković Theoria, Beograd 62 (2), 83-96, 2019 | | 2019 |
| Understated Significance of Form in Gracyk's Aesthetics of Popular Music D Milenković ICA 2021 - Proceedings, 1238, 2019 | | 2019 |
| Džez uprkos improvizaciji - da li je improvizacija nužan formalni obrazac džeza? D Milenković Problem forme, 2016 | | 2016 |
| Dijalektički odnos između glazbe kao same stvari i glazbenih konvencija u Filozofiji nove glazbe Theodora Adorna D Milenković Filozofska istraživanja 36 (02/142), 255-271, 2016 | | 2016 |
| Moral education and the aesthetic form of music in Plato's republic and Aristotle's politics D Milenković Kultura, 130-152, 2016 | | 2016 |
| Kriza muzičkih formi i njeno razrešenje - slučaj "Doktora Faustusa" Tomasa Mana D Milenković Estetičko društvo Srbije, 2014 | | 2014 |
