| Inside the collaborative process: Realising new works for solo piano Z Kanga Royal Academy of Music, 2014 | 27 | 2014 |
| Failing with style: Designing for aesthetic failure in interactive performance A Hazzard, C Greenhalgh, M Kallionpaa, S Benford, A Veinberg, Z Kanga, ... Proceedings of the 2019 chi conference on human factors in computing systems …, 2019 | 14 | 2019 |
| Perspectives on artistic research in music L Barwick, T Dargaville, S Emmerson, N Haywood, G Hodges, M Hooper, ... Lexington Books, 2017 | 9 | 2017 |
| Through the silver screen: The collaborative creation of works for piano and video Z Kanga Contemporary Music Review 35 (4-5), 423-449, 2016 | 9 | 2016 |
| Flaws in the Body and How We Work with Them: An Interview with Composer Alexander Schubert Z Kanga, A Schubert Contemporary Music Review 35 (4-5), 535-553, 2016 | 8 | 2016 |
| " Not Music Yet": Graphic Notation as a Catalyst for Collaborative Metamorphosis. Z Kanga Eras 16, 2014 | 7 | 2014 |
| Inside composer-performer collaboration Z Kanga Resonate magazine, 2014 | 7 | 2014 |
| Performing WIKI-PIANO.NET: Strategies for Realizing Alexander Schubert's Ever-Changing Internet-Composed Piano Work Z Kanga Leonardo 54 (2), 234-241, 2021 | 6 | 2021 |
| Wiki-Piano: Examining the crowd-sourced composition of a continuously changing internet-based score Z Kanga Tempo 74 (294), 6-22, 2020 | 6 | 2020 |
| Creative resistance as a performance tool S Callis, N Heyde, Z Kanga, O Sham Music+ Practice 2, 2015 | 4 | 2015 |
| All My Time: Experimental Subversions of Livestreamed Performance During the Covid-19 Pandemic Z Kanga Contemporary Music Review 41 (4), 358-381, 2022 | 3 | 2022 |
| " Building an instrument" in the collaborative composition and performance of works for piano and live electronics Z Kanga Lexington Books, 2017 | 3 | 2017 |
| Risky business: Negotiating virtuosity in the collaborative creation of Orfordness for solo piano (pp. 97–115) D Gorton, Z Kanga Music and/as process. Newcastle upon Tyne, UK: Cambridge Scholars, 2016 | 3 | 2016 |
| The Cyborg Hand: Gesture, Technology, Disability and Interdisciplinarity in Whatever Weighs You Down Z Kanga Contemporary Music Review 42 (3), 319-338, 2023 | 2 | 2023 |
| @ Newmusic# Soundart: Contemporary Music in the Age of Social Media A Fryberger, JL Besada, Z Kanga Contemporary Music Review 41 (4), 329-336, 2022 | 2 | 2022 |
| Composing Technique, Performing Technique S McLaughlin, Z Kanga, M Benjamin Journal for Artistic Research, 2021 | 2 | 2021 |
| Gesture-technology interactions in contemporary music Z Kanga Contemporary Music Review 35 (4-5), 375-378, 2016 | 2 | 2016 |
| Orfordness D Gorton, C Redgate, N Heyde, Z Kanga, M Mermikides Divine Art, 2014 | 2 | 2014 |
| Creative Resistance: towards a Performative Understanding of ‘Distributed Creativity’ S Callis, N Heyde, Z Kanga, O Sham CMPCP Performance Studies Network, Second International Conference …, 2013 | 2 | 2013 |
| Mutations (megamix): exploring notions of the ‘DJ set’,‘mashup’and ‘remix’through live piano-based performance R Ratcliffe, J Weinel, Z Kanga eContact 13 (2), 2011 | 2 | 2011 |
