| Playing with the maternal body: Violence, mutilation, and the emergence of the female subject in Ferrante’s novels K Wehling-Giorgi California Italian Studies 7 (1), 2017 | 27 | 2017 |
| Elena Ferrante’s Neapolitan Novels: Writing Liminality K Wehling-Giorgi Allegoria, 2016 | 20 | 2016 |
| Rethinking constructs of maternity in the novels of Elena Ferrante and Alice Sebold K Wehling-Giorgi Women: A Cultural Review 30 (1), 66-83, 2019 | 19 | 2019 |
| " Ero separata da me": Memory, Selfhood and Mother-Tongue in Goliarda Sapienza and Elena Ferrante K Wehling-Giorgi | 18 | 2016 |
| Goliarda Sapienza in Context: Intertextual Relationships with Italian and European Culture M Andrigo, A Bella, A Di Rollo, M Farnetti, L Ferro, E Gobbato, L Fortini, ... Rowman & Littlefield, 2016 | 13 | 2016 |
| Traumatic Realism and the Poetics of Trauma in Elsa Morante’s Works T de Rogatis, K Wehling-Giorgi Allegoria 24, 169-183, 2021 | 12 | 2021 |
| Elsa Morante's Politics of Writing: Rethinking Subjectivity, History, and the Power of Art CC Bérard, S Carey, F Cartoni, G Cascio, F Chillemi, G De Luca, ... Rowman & Littlefield, 2014 | 10 | 2014 |
| " Tuo scandalo tuo splendore": The Split Mother in Morante's Works from Diario 1938 to Aracoeli K Wehling-Giorgi | 10 | 2014 |
| ‘Totetaco’: The Mother–Child Dyad and the Pre-Conceptual Self in Elsa Morante's La Storia and Aracoeli K Wehling-Giorgi Forum for Modern Language Studies 49 (2), 192-200, 2013 | 10 | 2013 |
| Gadda and Beckett: Storytelling, Subjectivity and Fracture K Wehling-Giorgi Routledge, 2017 | 7 | 2017 |
| The Leibnizian monad and the self through the lens of Carlo Emilio Gadda’s and Samuel Beckett’s writings K Wehling-Giorgi MHRA Working Papers in the Humanities 2, 57-68, 2007 | 7 | 2007 |
| Unclaimed Stories: Narrating Sexual Violence and the Traumatized Self in Elena Ferrante and Alice Sebold's Writings K Wehling-Giorgi MLN 136 (1), 118-142, 2021 | 5 | 2021 |
| Abjection and the fear of alterity: Matricide and the trope of the maternal in the works of Carlo Emilio Gadda and Samuel Beckett K Wehling-Giorgi Italian studies 66 (1), 76-92, 2011 | 5 | 2011 |
| Elena Ferrante in a Global Context T De Rogatis, S Milkova, K WEHLING GIORGI MLN 136, 6-200, 2021 | 4 | 2021 |
| “Splendid Little Pictures”: Leibnizian Terminology in the Works of Samuel Beckett and Carlo Emilio Gadda K Wehling-Giorgi Samuel Beckett Today/Aujourd'hui 22 (1), 341-354, 2010 | 4 | 2010 |
| Defilement, War and the Corpse: On Abjection in Gadda and Céline K Wehling-Giorgi Edinburgh Journal of Gadda Studies 7, 2011 | 3 | 2011 |
| Trauma Narratives in Italian and Transnational Women’s Writing T de Rogatis, K Wehling-Giorgi Sapienza Università Editrice, 2022 | 2 | 2022 |
| Trauma and Women Writers: A Transnational and Italian Perspective T de Rogatis, K Wehling-Giorgi Trauma Narratives in Italian and Transnational Women’s Writing 129, 9, 2022 | 1 | 2022 |
| 1.«Come un fotogramma spezzato»: Traumatic Images and Multistable Visions in Elsa Morante’s History: A Novel K Wehling-Giorgi Trauma Narratives in Italian and Transnational Women’s Writing 129, 55, 2022 | 1 | 2022 |
| Traumatic Realism and the Poetics of Trauma in Elsa Morante's Works K Wehling-Giorgi, T de Rogatis Allegoria 83, 2021 | 1 | 2021 |
