| The Oscillation Between Dramatic and Postdramatic Theatre S Izmir AAA-Arbeiten aus Anglistik und Amerikanistik/http://periodicals.narr.de …, 2017 | 8* | 2017 |
| The Concept of Male Friendship in Shakespeare’s The Two Gentlemen of Verona: A Contextual Approach S Izmir The Journal of International Social Research 8 (37), 160, 2015 | 7 | 2015 |
| Postdramatic tendencies on the British stage: The plays of Mark Ravenhill S İzmir Sosyal Bilimler Enstitüsü, 2014 | 3 | 2014 |
| Revenge as a Mirror of Corruption in Shakespearean Drama S İzmir RumeliDE Dil ve Edebiyat Araştırmaları Dergisi 37, 2023 | | 2023 |
| Liminality, Resilience and Refugeehood in Zinnie Harris’s How to Hold Your Breath S İzmir Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi-Journal of Theatre …, 2023 | | 2023 |
| Transformative Potential and Utopian Performative: Postdramatic Hamlet in Turkey S İzmir Multicultural Shakespeare: Translation, Appropriation and Performance …, 2022 | | 2022 |
| When Anger Turns into Rage: Displacement in John Osborne’s Look Back in Anger S Izmir ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 35 (2), 156-160, 2022 | | 2022 |
| Hoşnutsuzluklar Prensi Hamlet Üzerine S İzmir Yeni Tiyatro, 2021 | | 2021 |
| Shakespeare's Mastery of Plot and Comedy in Much Ado About Nothing S İzmir Sanat Dergisi/Journal of Fine Arts 1 (37), 99-109, 2021 | | 2021 |
| T. W. Robertson's Caste: A Bridge Between Victorian and Realist Theatre S İZMİR Mersin Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 4 (1), 67-76, 2020 | | 2020 |
| "Yazar-Seyirci-Sahne Üçgeninde Mark Ravenhill'in İki Oyunu". S İzmir Postdramatik Tiyatro ve İngiliz Tiyatrosu (Editör: Deniz Bozer), 53-83, 2016 | | 2016 |
| Physical Violence Functioning to Reflect an Epic and Marxist Worldview: Edward Bond’s Lear S İzmir English Studies: New Perspectives, Newcastle upon Tyne, 293-299., 2015 | | 2015 |
| Contextualizing History: Sarah Kane’s Blasted as a Historical Play S İzmir Batı Edebiyatında Tarih/History in Western Literature, 487-494, 2014 | | 2014 |
| Dramatic and Postdramatic Strategies in Mark Ravenhill's pool (no water) S Izmir Performing Arts Conference, PERFORMART '14, 181-194, 2014 | | 2014 |
| Alex Panopticized: A Foucauldian Reading of Anthony Burgess’s A Clockwork Orange S İzmir Proceedings from the 6th International IDEA Conference: Studies in English …, 2012 | | 2012 |
| Suicide in The Other Side of the Mountain and Mrs. Dalloway S İzmir IDEA: Studies in English, 241-251, 2011 | | 2011 |
| The concept of male friendship in Shakespeares plays: The two gentlemen of Verona, Romeo and juliet and The Merchant of Venice S İzmir Sosyal Bilimler Enstitüsü, 0 | | |
