| John Cage R Haskins Reaktion Books, 2013 | 56 | 2013 |
| “An Anarchic Society of Sounds”: The Number Pieces of John Cage R Haskins University of Rochester, Eastman School of Music, 2004 | 28 | 2004 |
| Another look at Philip Glass: Aspects of harmony and formal design in early works and Einstein on the beach R Haskins Journal of Experimental Music Studies 12, 2005 | 17 | 2005 |
| On John Cage's Late Music, Analysis, and the Model of Renga in" Two" R Haskins American Music, 327-355, 2009 | 10 | 2009 |
| John Cage and Recorded Sound: A Discographical Essay R Haskins Notes 67 (2), 382-409, 2010 | 8 | 2010 |
| Philip Glass and Michael Riesman: Two Interviews R Haskins, P Glass, M Riesman The Musical Quarterly 86 (3), 508-529, 2002 | 8 | 2002 |
| Notes on Cage, Harmony, and Analysis R Haskins European Journal of Musicology 6, 2003 | 6 | 2003 |
| Aspects of Zen Buddhism as an Analytical Context for John Cage's Chance Music R Haskins Contemporary Music Review 33 (5-6), 616-629, 2014 | 5 | 2014 |
| King Priam R Haskins Notes 65 (3), 561-562, 2009 | 3 | 2009 |
| Repeating Ourselves: American Minimal Music as Cultural Practice R Haskins Current Musicology, 147, 2006 | 3 | 2006 |
| Classical Listening: Two Decades of Reviews from the American Record Guide R Haskins | 2 | 2015 |
| Differing Evocations of Buddhism in Two Works by Robert Morris and John Cage R Haskins Perspectives of New Music 52 (2), 345-358, 2014 | 2 | 2014 |
| Composition (Not Philosophy): James Pritchett's The Music of John Cage R Haskins Perspectives of New Music, 216-223, 1996 | 2 | 1996 |
| The Music of Philip Glass, 1965-1975: An Analysis of Two Selected Early Works and Einstein on the Beach R Haskins Johns Hopkins University, 1992 | 2 | 1992 |
| Persee, and: Les Indes galantes R Haskins Notes 63 (1), 166-169, 2006 | 1 | 2006 |
| Review of Robert Fink. 2005. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press R Haskins | 1 | 2006 |
| Reich: Triple Quartet; Electric Guitar Phase; Music or Large Ensemble; Tokyo-Vermont Counterpoint.(Guide to Records) R Haskins American Record Guide 65 (1), 155-157, 2002 | 1 | 2002 |
| Contributors to Issue 5 R Haskins Music & Musical Performance 1 (5), 10, 2024 | | 2024 |
| Debussy: Pour le Piano; Etudes+. R Haskins American Record Guide 87 (1), 42-43, 2024 | | 2024 |
| Cage: One4, 27" 10.554, Composed Improvisations. R Haskins American Record Guide 87 (1), 33-35, 2024 | | 2024 |
