| Post-war Italian cinema: American intervention, Vatican interests DT Gennari Routledge, 2011 | 97 | 2011 |
| Memories in context: the social and economic function of cinema in 1950s Rome DT Gennari, J Sedgwick Film history: An international journal 27 (2), 76-104, 2015 | 31 | 2015 |
| In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, genre and national identity D Treveri-Gennari, C o’Rawe, D Hipkins Participations: Journal of Audience & Reception Studies 8 (2), 539-553, 2011 | 31 | 2011 |
| Italian Cinema Audiences: Histories and memories of cinema-going in post-war Italy DT Gennari, C O'Rawe, D Hipkins, S Dibeltulo, S Culhane Bloomsbury Publishing USA, 2020 | 30 | 2020 |
| Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s P Ercole, D Treveri Gennari, C O’Rawe Memory Studies 10 (1), 63-77, 2017 | 25 | 2017 |
| ‘If You Have Seen It, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome D Treveri Gennari Historical journal of film, radio and television 35 (1), 53-74, 2015 | 25 | 2015 |
| Introduction: Rural cinema exhibition and audiences in a global context—Not just a slower transition to modernity D Treveri Gennari, D Hipkins, C O’Rawe Rural cinema exhibition and audiences in a global context, 1-13, 2018 | 22 | 2018 |
| Moralizing Cinema: Film, Catholicism, and Power D Biltereyst, DT Gennari Routledge, 2014 | 21 | 2014 |
| Understanding the cinemagoing experience in cultural life: The role of oral history and the formation of ‘memories of pleasure’ DT Gennari TMG Journal for Media History 21 (1), 2018 | 19 | 2018 |
| Cinema heritage in Europe: preserving and sharing culture by engaging with film exhibition and audiences P Ercole, D Treveri Gennari, S Dibeltulo, L Van de Vijver ALPHAVILLE, 1-12, 2016 | 15 | 2016 |
| Challenges to comparative oral histories of cinema audiences P Ercole, L Van de Vijver, D Treveri Gennari TIJDSCHRIFT VOOR MEDIAGESCHIEDENIS= JOURNAL FOR MEDIA HISTORY 23 (1/2), 2020 | 13 | 2020 |
| ‘It existed indeed… it was all over the papers’: memories of film censorship in 1950s Italy DT Gennari, S Dibeltulo Participations 14 (1), 235-248, 2017 | 11 | 2017 |
| Bridging the digital divide: Older adults’ engagement with online cinema heritage S Dibeltulo, S Culhane, D Treveri Gennari Digital Scholarship in the Humanities 35 (4), 797-811, 2020 | 9 | 2020 |
| Mapping Film Programming across Post-War Europe (1952): Arts and Media T Van Oort, Å Jernudd, K Lotze, C Pafort-Overduin, D Biltereyst, J Boter, ... Research Data Journal for the Humanities and Social Sciences 5 (2), 109-125, 2020 | 9 | 2020 |
| Analyzing memories through video-interviews: A case study of post-war Italian cinemagoing DT Gennari, S Dibeltulo, D Hipkins, C O’Rawe The Routledge companion to new cinema history, 341-354, 2019 | 9 | 2019 |
| Rural Cinema Exhibition and Audiences in a Global Context DT Gennari, D Hipkins, C O'Rawe Palgrave Macmillan, 2018 | 9 | 2018 |
| Blessed cinema: State and Catholic censorship in postwar Italy DT Gennari Silencing cinema: Film censorship around the world, 255-271, 2013 | 9 | 2013 |
| Crowdsourcing memories and artefacts to reconstruct Italian cinema history: Micro-histories of small-town exhibition in the 1950s DT Gennari, S Culhane Participations: Journal of Audience and Reception Studies 16, 2019 | 7 | 2019 |
| Did Neorealism start in church? Catholicism, cinema and the case of Mario Soldati's Chi è Dio? DT Gennari, M Vanelli New Review of Film and Television Studies 8 (2), 198-217, 2010 | 6 | 2010 |
| A Regional Charm: Italian Comedy versus Hollywood DT Gennari October 128, 51-68, 2009 | 6 | 2009 |
Lies Van de VijverUniversiteit GentVerified email at UGent.be
