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| An “approximate knowledge”: event transmission in the post-9/11 informational culture E Picarelli Altre Modernità, 295-309, 2011 | 4 | 2011 |
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| Crafting Utopias Through Fashion in Ghana and Senegal E Picarelli ZoneModa Journal 12 (2), 13-24, 2022 | 1 | 2022 |
| Questions of memory and national belonging in post-September 11 American television E Picarelli Civiltà del mediterraneo: semestrale di ricerca e informazione: 23/24, 1/2 …, 2013 | 1 | 2013 |
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| Chimamanda Ngozi Adichie as fashion icon: addressing nationalism and feminism with style F Bernardi, E Picarelli The Routledge Companion to Fashion Studies, 215-222, 2021 | | 2021 |
| Sustainable Luxury in South Africa: The Twyg Platform E Picarelli ZoneModa Journal 11 (1), 109-124, 2021 | | 2021 |
| Displaced fashion, fashion of displacement: two visual statements about migrant fashion from Africa E Picarelli Africa e Mediterraneo 95, 52-61, 2021 | | 2021 |
| Mehita Iqani and Simidele Dosekun (eds.), African Luxury: The Politics and Aesthetics of Luxury in Africa, Intellect, 2019 E Picarelli ZoneModa Journal 10 (1), 153-154, 2020 | | 2020 |
| Selly Raby Kane: surrealist designer and social innovator E Picarelli Fashion Studies 2 (1), 2018 | | 2018 |
| Lauren ME Goodlad, Lilya Kaganovsky & Robert A. Rushing (Eds.), Mad Men, Mad World: Sex, Politics, Style & the 1960s E Picarelli International Journal of Communication 7, 4, 2013 | | 2013 |
| Mad Men, Mad World: Sex, Politics, Style & the 1960s E Picarelli INTERNATIONAL JOURNAL OF COMMUNICATION 7, 2580-2583, 2013 | | 2013 |
