| The theatre of Ola Rotimi: Production and performance dynamics E Emasealu Gurara Publishing, 2010 | 27 | 2010 |
| The audience factor in Nollywood E Emasealu International Journal of Multi-Disciplinary Scholarship 3 (5), 143-152, 2008 | 12 | 2008 |
| Theatre Directing and the Use of Multimedia in Nigerian Theatre: A Study of Segun Adefila’s Production of “Omo Dumping” TG Mark, EC Emasealu Journal of Arts and Humanities 7 (6), 01-16, 2018 | 4 | 2018 |
| A study of the theme of ritual in select Nigerian video films EC Emasealu IJOTA: Ibadan Journal of Theatre Arts, 2-4, 2008 | 3 | 2008 |
| The Challenges and Prospects of Directing Ahmed Yerima’s Hard Ground ETG Emasealu The CRAB: Journal of Theatre and Media Arts, 1-27, 2015 | 2 | 2015 |
| The Director as a Facilitator of the Actor's Art: The Technique of Ola Rotimi at Rehearsal E Oga In Society of Nigerian Theatre Artists (SONTA) Journal. 5, 105-111, 1999 | 2 | 1999 |
| Multimedia and the creation of the scenographic space in the stage realization of Emmanuel Emmasealu’s nerves KE Eni AFRREV IJAH: An International Journal of Arts and Humanities 7 (2), 31-39, 2018 | 1 | 2018 |
| Media locus in changing the biases against HIV/AIDS victims in Ekpoma, Nigeria OS Omoera, E Emasealu Media studies in Nigeria: Genesis and detours, 625-646, 2016 | 1 | 2016 |
| The Dramatic Ends of Igbo Ritual: Nollywood as Performance E Emasealu, Emmanuel and Onyerionwu Eyinba Journal of Language and Literary Studies 2, 33-48, 2011 | | 2011 |
| Examining the Cognitive Psychology of the Tragic Vision in Nigerian Video Films: Gaza Treasure by Nonso Ekine Okonkwo and Evil Intention by J. Ugezu as Paradigms. E Emasealu Global Education Journal, 2011 | | 2011 |
| Character and Characterization in Nigerian Video Films: Abuja Connection by Adim Williams and The Mayors by Dickson Eroegbu as Paradigms. E Emasealu Leadership & Organizational Management Journal 2011 (1), 2011 | | 2011 |
| Drama and Social Change: A Study of Select Plays by Bode Sowande. EC Emasealu Culture & Religion Review Journal 2011 (1), 2011 | | 2011 |
| Satiric Content in Nollywood Films: A Case Study of Police Recruit by Charles Inojie and Intelligent Mugu by Kalu Anya. E Emasealu Conflict Resolution & Negotiation Journal, 2011 | | 2011 |
| Dressing Female Liberation in a Borrowed Gown in Order to ‘Paint the Town Red’: A Critical Reading of the Video Films Black Bra by Andy Amanechi and Beautiful Faces by Kabat … E Emasealu Kiabara: Journal of Humanities 15, 51-61, 2009 | | 2009 |
| A Study of the Evangelical Genre in Nollywood: Ugo Ugbor’s 40 Days in the Wilderness and Ifeanyi Ogbonna’s Years in Rome as Case Study E Emasealu IJOTA: Ibadan Journal of Theatre Arts, 108-125, 2008 | | 2008 |
| A Study of the Crime Genre in Nollywood: The Paradigms of New Jerusalem by Ifeanyi Onyeabor and End of the River by Gabriel Moses E Emasealu Kiabara: Journal of Humanities 14, 61-70, 2008 | | 2008 |
| A Study of Comic Elements in Select Nigerian Video Films E Emasealu The CRAB: Journal of Theatre and Media Arts 1, 43-56, 2007 | | 2007 |
| A Study of Ojo Bakare Rasaki’s Drums of War as Text and Performance E Emasealu The CRAB: Journal of Theatre and Media Arts 1, 81-109, 2006 | | 2006 |
| A Study of Ojo Bakare Rasaki’s Drums of War as Text and Performance E Emasealu The CRAB: Journal of Theatre and Media Arts 1, 81-109, 2006 | | 2006 |
| Theatre for Development in Nigeria: A Case Study of the Living Earth Foundation (Nigeria) Project in Bayelsa State E Emasealu The CRAB: Journal of Theatre and Media Arts. 1, 155-167, 2005 | | 2005 |
