| ‘Political gladiators’ on Facebook in Zimbabwe: a discursive analysis of intra–Zimbabwe African National Union–PF cyber wars; Baba Jukwa versus Amai Jukwa A Chibuwe, O Ureke Media, Culture & Society 38 (8), 1247-1260, 2016 | 53 | 2016 |
| Theoretical paradoxes of representation and the problems of media representations of Zimbabwe in crisis NA Mhiripiri, O Ureke Critical Arts 32 (5-6), 87-103, 2018 | 24 | 2018 |
| Social commentary, subaltern voices and the alternative medium of Zimdancehall music: Unpacking the music of Winky D and Sniper Storm O Ureke, Y Washaya Muziki 13 (1), 68-88, 2016 | 16 | 2016 |
| State interference, para-politics and editorial control: The political economy of ‘Mirrorgate’in Zimbabwe O Ureke Journal of African Media Studies 8 (1), 17-34, 2016 | 12 | 2016 |
| From ‘African Cinema’to film services industries: A cinematic fact O Ureke, K Tomaselli Journal of African Cinemas 9 (1), 75-92, 2017 | 10 | 2017 |
| Social media and the COVID-19: South African and Zimbabwean netizens’ response to a pandemic MB Mutanga, O Ureke, T Chani Indonesian Journal of Information Systems 4 (1), 1-14, 2021 | 8 | 2021 |
| Mobile journalism, cellphilms, and the use of the Storymaker multimedia software at a Zimbabwean media training university NA Mhiripiri, O Ureke Journalism and ethics: Breakthroughs in research and practice, 613-638, 2019 | 8 | 2019 |
| Cinematic fact and the film services industry: production contexts and contexts of production in Zimbabwe (1980-2016) O Ureke | 7 | 2016 |
| The Discursive Dynamics of Action-Research and Zimbabwean San People’s Production of Audio-Visual Stories NA Mhiripiri, O Ureke, MM Mubayiwa Africa Development/Afrique et Développement 45 (4), 77-106, 2020 | 4 | 2020 |
| Zimbabwean Indigenisation and the Shadow Economy of Cinematic Production O Ureke Communicatio 44 (4), 32-47, 2018 | 3 | 2018 |
| Introducing the ‘drasofi’: A genre of convenience and context in Zimbabwean film production O Ureke Journal of African Cinemas 10 (1-2), 147-164, 2018 | 3 | 2018 |
| ZIMBABWE'S CINEMATIC ARTS: LANGUAGE, POWER, IDENTITY O Ureke Journal of African Cinemas 8 (2), 222-225, 2016 | 3 | 2016 |
| Locating Sembène’s mégotage in Zimbabwe’s kiya kiya video-film production O Ureke Journal of African Cultural Studies 32 (2), 146-160, 2020 | 2 | 2020 |
| Zimbabwe: cinema exhibition and consumption in a shadow economy O Ureke Screen 62 (3), 359-374, 2021 | 1 | 2021 |
| Aesthetic norms and motivations of Subaltern Video-Filmmaking: comic skits and mobile journalism of the everyday in Zimbabwe O Ureke Ethnographies of ‘On Demand’Films: Anthropological Explorations of …, 2021 | 1 | 2021 |
| Aesthetic of Innocence O Ureke, NA Mhiripiri, MM Mubayiwa, R Midzi Africa Development/Afrique et Développement 46 (1), 93-116, 2021 | 1 | 2021 |
| Race and Ethnicity in Post-Colonial Zimbabwean and Zambian Cinema O Ureke, B Hamusokwe Oxford Research Encyclopedia of Communication, 2023 | | 2023 |
| “Get-Rich-Quick Rituals, Remote Sex, and Herbs in Vaginal Canals”: Portrayal of Indigenous Fruits and Medicinal Herbs in Zimbabwe’s The Mirror Newspaper O Moyo, O Ureke Communicatio: South African Journal of Communication Theory and Research 48 …, 2022 | | 2022 |
| Cyber War and Militarization of Communication O Ureke Reimagining Communication: Action, 303-319, 2020 | | 2020 |
| From ‘African cinema’to film services industries: a cinematic fact K Tomaselli, O Ureke | | 2017 |
NHAMO ANTHONY MHIRIPIRIProfessor of Media and Society Studies, Midlands State UniversityVerified email at staff.msu.ac.zw
