| Art and trauma in Africa: representations of reconciliation in music, visual arts, literature and film L Bisschoff, S Van de Peer IB Tauris, Bloomsbury, 2013 | 44 | 2013 |
| Film festival yearbook 6: Film festivals and the Middle East D Iordanova, S Van de Peer Secuencias 43, 44, 2016 | 43 | 2016 |
| Negotiating dissidence: The pioneering women of Arab documentary S Van de Peer Edinburgh University Press, 2017 | 40 | 2017 |
| Women in African cinema: Beyond the body politic L Bisschoff, S Van de Peer Routledge, 2019 | 22 | 2019 |
| Animation in the Middle East: Practice and aesthetics from Baghdad to Casablanca S Van de Peer Bloomsbury Publishing, 2017 | 14 | 2017 |
| Sympathy for the other: Female solidarity and postcolonial subjectivity in Francophone cinema K Scott, S Van de Peer Film-Philosophy 20 (1), 168-194, 2016 | 10 | 2016 |
| Representing the unrepresentable L Bisschoff, S Van de Peer IB Tauris, 2012 | 10 | 2012 |
| Selma Baccar's" Fatma" 1975: at the crossroads between Third Cinema and New Arab Cinema S Van de Peer French Forum 35 (2/3), 17-35, 2010 | 10 | 2010 |
| A transnational feminist rereading of post-Third Cinema theory: The case of Maghreb documentary SV Peer Journal of African Cinemas 4 (2), 175-189, 2012 | 9 | 2012 |
| The Film Festival Archipelago in the Arab World JM Frodon, D Iordanova, S Van de Peer Film Festival Yearbook 6, 15-26, 2014 | 8 | 2014 |
| Seascapes of solidarity: Refugee cinema and the representation of the Mediterranean S Van de Peer Alphaville: Journal of Film and Screen Media, 38-53, 2019 | 6 | 2019 |
| The Moderation of Creative Dissidence in Syria: Reem Ali's Documentary Zabad S Van de Peer Arab Cultural Studies, 190-210, 2013 | 6 | 2013 |
| An encounter with the doyenne of Tunisian film, Selma Baccar S Van de Peer The Journal of North African Studies 16 (3), 471-482, 2011 | 5 | 2011 |
| Arab documentary landscapes: Transnational flow of solidarity at festivals S Van de Peer Documentary filmmaking in the Middle East and North Africa, 2021 | 3 | 2021 |
| 2 Jocelyne Saab: Artistic-Journalistic Documentaries in Lebanese Times of War S Van de Peer Negotiating Dissidence, 55-82, 2017 | 3 | 2017 |
| Fragments of War and Animation: Dahna Abourahme’s Kingdom of Women and Soudade Kaadan’s Damascus Roofs: Tales of Paradise S Van de Peer Middle East Journal of Culture and Communication 6 (2), 151-177, 2013 | 3 | 2013 |
| ReFocus: The Films of Jocelyne Saab: Films, Artworks and Cultural Events for the Arab World M Rouxel, S Van de Peer Edinburgh University Press, 2021 | 2 | 2021 |
| Damascus and Beirut, or Why Arab Film Festivals Go On and Online S Van de Peer | 2 | 2018 |
| Forgotten Women, Lost Histories: Selma Baccar’s Fatma 75 (1978) and Assia Djebar’s La Nouba des femmes du Mont Chenoua (1978) S Van de Peer Africa's Lost Classics, 64-71, 2017 | 2 | 2017 |
| Introduction to the special issue: The North in African cinemas. SVD Peer Journal of African Cinemas 8 (1), 2016 | 2 | 2016 |
