| Back to the future: The digitisation of reproducing piano rolls as a rendering of the past. I Stanović Swedish Journal of Music Research/Svensk Tidskrift för Musikforskning 99, 2017 | 3 | 2017 |
| Masculine and Feminine Compositions: Frederic Chopin and his body (of work) I Stanovic HARTS & Minds 3 (2), 84-95, 2017 | 2 | 2017 |
| (Re) constructing Early Recordings: a guide for historically-informed performance I Stanovic 'Hands On' PIANO, 63-69, 2019 | 1 | 2019 |
| Hardcore Phonography I Stanović | | 2023 |
| (Re) constructing Early Recordings: Experimental research as a guide in performance I Stanović Early Sound Recordings, 165-182, 2023 | | 2023 |
| Early Sound Recordings: Academic Research and Practice EM Rodríguez, I Stanović Taylor & Francis, 2023 | | 2023 |
| Austro-German Revivals:(Re) constructing Acoustic Recordings A Stanović, I Stanović, D Milsom, D Miller | | 2022 |
| Love me, Love me not (Part II): Chopin’s Reception in Great Britain, 1849 to 1899 I Stanović Musica Iagellonica 11 (1), 67-95, 2020 | | 2020 |
| The Early Classical Recordings of First World War England: Process, preoccupation and performance I Stanovic 13th International Musicological Conference: The Great War/1914-1918/and …, 2020 | | 2020 |
| Love me, Love me not (Part I): Chopin’s reception in Great Britain, 1830–1849 I Stanović Musica Iagellonica 10 (1), 31-63, 2019 | | 2019 |
| Performing Music, Performing Culture: bridging the cleavage between forms of practice A Stanovic, I Stanovic 3rd International Music And Cultural Studies Conference, 202-210, 2016 | | 2016 |
| CD with works of John Donaldson, JS Bach and J. Field I Stanovic | | 2015 |
| THE EARLY SOUND RECORDINGS AS PRIMARY EVIDENCE: LATE NINETEENTH-CENTURY EXPRESSIVE TECHNIQUES RELATING TO CHOPIN’S NOCTURNES I Stanović | | |
