| Visions of Japanese modernity: Articulations of cinema, nation, and spectatorship, 1895-1925 A Gerow University of California Press, 2010 | 204* | 2010 |
| Consuming Asia, consuming Japan: The new neonationalist revisionism in Japan A Gerow Censoring history, 74-95, 1998 | 66* | 1998 |
| Fantasies of war and nation in recent Japanese cinema A Gerow Japan Focus 20, 2006 | 47 | 2006 |
| A page of madness: cinema and modernity in 1920s Japan A Gerow University of Michigan Press, 2008 | 46 | 2008 |
| Kitano Takeshi A Gerow British Film Institute, 2007 | 39* | 2007 |
| From the national gaze to multiple gazes: Representations of Okinawa in recent Japanese cinema A Gerow Islands of discontent: Okinawan responses to Japanese and American power …, 2003 | 33 | 2003 |
| Recognizing “others” in a new Japanese cinema A Gerow The Japan Foundation Newsletter 29 (2), 1-6, 2002 | 28 | 2002 |
| The homelessness of style and the problems of studying Miike Takashi A Gerow Canadian Journal of Film Studies 18 (1), 24-43, 2009 | 27 | 2009 |
| Research guide to Japanese film studies AM Nornes, A Gerow University of Michigan Press, 2009 | 26* | 2009 |
| The Word before the Image: Criticism, the Screenplay, and the Regulation of Meaning in Prewar Japanese Film Culture A Gerow Word and Image in Japanese Cinema, 3-35, 2000 | 26 | 2000 |
| Introduction: The Theory Complex A Gerow Review of Japanese Culture and Society 22, 1–13, 2010 | 23 | 2010 |
| Critical Reception: Historical Conceptions of Japanese Film Criticism A Gerow Oxford Handbook of Japanese Cinema, 61–78, 2014 | 20 | 2014 |
| Celluloid Masks: The Cinematic Image and the Image of Japan A Gerow Iris, 23-36, 1993 | 20 | 1993 |
| War and Nationalism in Yamato: Trauma and Forgetting the Postwar A Gerow Japan Focus 24 (1), 2011 | 19 | 2011 |
| Writing a pure cinema: articulations of early Japanese film AA Gerow The University of Iowa, 1996 | 19 | 1996 |
| Kind Participation: Postmodern Consumption and Capital with Japan's Telop TV A Gerow Television, Japan, and Globalization, 117-150, 2010 | 18 | 2010 |
| Narrating the Nation-ality of a Cinema: The Case of Japanese Prewar Film A Gerow The Culture of Japanese Fascism, 185-211, 2009 | 18* | 2009 |
| One print in the age of mechanical reproduction: film industry and culture in 1910s Japan A Gerow Screening the Past, 2000 | 17* | 2000 |
| The Benshi's New Face: Defining Cinema in Taishô Japan AA Gerow ICONICS-International Studies of the Modern Image- 3, 69-86, 1994 | 17 | 1994 |
| Wrestling with Godzilla: intertextuality, childish spectatorship, and the national body A Gerow In Godzilla’s Footsteps, 63-81, 2006 | 16 | 2006 |
Markus NornesProfessor of Asian CinemaVerified email at umich.edu
Markus NornesProfessor of Asian CinemaVerified email at umich.edu