Follow
Nicholas Baragwanath
Nicholas Baragwanath
Verified email at nottingham.ac.uk
Title
Cited by
Cited by
Year
The Italian Traditions & Puccini: Compositional Theory & Practice in Nineteenth-Century Opera
N Baragwanath
Indiana University Press, 2011
602011
The solfeggio tradition: A forgotten art of melody in the long eighteenth century
N Baragwanath
Oxford University Press, 2020
392020
Anna Bahr-Mildenburg, gesture, and the Bayreuth style
N Baragwanath
The Musical Times 148 (1901), 63-74, 2007
102007
Musicology and Critical Theory: The Case of Wagner, Adorno, and Horkheimer
N Baragwanath
Music and Letters 87 (1), 52-71, 2006
102006
Alban Berg, Richard Wagner, and Leitmotivs of Symmetry
N Baragwanath
Nineteenth-Century Music, 62-83, 1999
101999
Analytical Approaches to Melody in Selected Arias by Puccini
N Baragwanath
Music Theory Online 14 (2), 2008
42008
Fin-de-siècle Wagner: Parsifal Analysed through Berg's Programme to Mahler's Ninth Symphony
N Baragwanath
Music Analysis, 27-55, 2004
32004
Alban Berg, Richard Wagner und Leitmotive der Symmetrie
N Baragwanath
Archiv fur Musikwissenschaft, 23-50, 2001
32001
Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli
N Baragwanath
Music and Letters 95 (2), 157-182, 2014
22014
A Forgotten Art of Melody in the Long Eighteenth Century, New York: Oxford University Press 2020
N Baragwanath
Diederik Mark DE Ceuster “Use 19 Metal Pieces of Approximately the Same …, 2021
2021
CARLO BROSCHI FARINELLI (1705–1782): THE CAREER, SKILLS AND NETWORKS OF A CASTRATO SINGER ÖSTERREICHISCHE GESELLSCHAFT FÜR MUSIK, VIENNA, 9–12 MAY 2019
N Baragwanath
Eighteenth-Century Music 17 (1), 143-146, 2020
2020
Wagner's Parsifal. Studies in Musical Genesis, Structure, and Interpretation
N Baragwanath
Music & Letters 95 (3), 464-467, 2014
2014
Wagner’s Parsifal. By William Kinderman
N Baragwanath
Music and Letters 95 (3), 464-467, 2014
2014
The Art of Partimento: History, Theory, and Practice
N Baragwanath
Music Analysis 32 (2), 283-290, 2013
2013
Expression, Truth and Authenticity: On Adorno’s Theory of Music and Musical Performance. Ed. by Mário Vieira de Carvalho.
N Baragwanath
Music and Letters 93 (2), 264-267, 2012
2012
Alban Berg and his World. Ed. by Christopher Hailey.
N Baragwanath
Music and Letters 93 (2), 261-264, 2012
2012
Wagner: Beyond Good and Evil. By John Deathridge.
N Baragwanath
Music and Letters 92 (2), 305-307, 2011
2011
Studies on Alban Mountains Oper'Lulu'.
N Baragwanath
MUSIC & LETTERS 91 (1), 122-123, 2010
2010
Studien zu Alban Bergs Oper ‘Lulu’. By Werner König.
N Baragwanath
Music and Letters 91 (1), 122-123, 2010
2010
Late Thoughts: Reflections on Artists and Composers at Work. Ed. by Karen Painter and Thomas Crow.
N Baragwanath
Music and Letters 89 (3), 415-419, 2008
2008
The system can't perform the operation now. Try again later.
Articles 1–20