The Italian Traditions & Puccini: Compositional Theory & Practice in Nineteenth-Century Opera N Baragwanath Indiana University Press, 2011 | 60 | 2011 |
The solfeggio tradition: A forgotten art of melody in the long eighteenth century N Baragwanath Oxford University Press, 2020 | 39 | 2020 |
Anna Bahr-Mildenburg, gesture, and the Bayreuth style N Baragwanath The Musical Times 148 (1901), 63-74, 2007 | 10 | 2007 |
Musicology and Critical Theory: The Case of Wagner, Adorno, and Horkheimer N Baragwanath Music and Letters 87 (1), 52-71, 2006 | 10 | 2006 |
Alban Berg, Richard Wagner, and Leitmotivs of Symmetry N Baragwanath Nineteenth-Century Music, 62-83, 1999 | 10 | 1999 |
Analytical Approaches to Melody in Selected Arias by Puccini N Baragwanath Music Theory Online 14 (2), 2008 | 4 | 2008 |
Fin-de-siècle Wagner: Parsifal Analysed through Berg's Programme to Mahler's Ninth Symphony N Baragwanath Music Analysis, 27-55, 2004 | 3 | 2004 |
Alban Berg, Richard Wagner und Leitmotive der Symmetrie N Baragwanath Archiv fur Musikwissenschaft, 23-50, 2001 | 3 | 2001 |
Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli N Baragwanath Music and Letters 95 (2), 157-182, 2014 | 2 | 2014 |
A Forgotten Art of Melody in the Long Eighteenth Century, New York: Oxford University Press 2020 N Baragwanath Diederik Mark DE Ceuster “Use 19 Metal Pieces of Approximately the Same …, 2021 | | 2021 |
CARLO BROSCHI FARINELLI (1705–1782): THE CAREER, SKILLS AND NETWORKS OF A CASTRATO SINGER ÖSTERREICHISCHE GESELLSCHAFT FÜR MUSIK, VIENNA, 9–12 MAY 2019 N Baragwanath Eighteenth-Century Music 17 (1), 143-146, 2020 | | 2020 |
Wagner's Parsifal. Studies in Musical Genesis, Structure, and Interpretation N Baragwanath Music & Letters 95 (3), 464-467, 2014 | | 2014 |
Wagner’s Parsifal. By William Kinderman N Baragwanath Music and Letters 95 (3), 464-467, 2014 | | 2014 |
The Art of Partimento: History, Theory, and Practice N Baragwanath Music Analysis 32 (2), 283-290, 2013 | | 2013 |
Expression, Truth and Authenticity: On Adorno’s Theory of Music and Musical Performance. Ed. by Mário Vieira de Carvalho. N Baragwanath Music and Letters 93 (2), 264-267, 2012 | | 2012 |
Alban Berg and his World. Ed. by Christopher Hailey. N Baragwanath Music and Letters 93 (2), 261-264, 2012 | | 2012 |
Wagner: Beyond Good and Evil. By John Deathridge. N Baragwanath Music and Letters 92 (2), 305-307, 2011 | | 2011 |
Studies on Alban Mountains Oper'Lulu'. N Baragwanath MUSIC & LETTERS 91 (1), 122-123, 2010 | | 2010 |
Studien zu Alban Bergs Oper ‘Lulu’. By Werner König. N Baragwanath Music and Letters 91 (1), 122-123, 2010 | | 2010 |
Late Thoughts: Reflections on Artists and Composers at Work. Ed. by Karen Painter and Thomas Crow. N Baragwanath Music and Letters 89 (3), 415-419, 2008 | | 2008 |