| Psychoacoustics of chalkboard squeaking C Reuter, M Oehler The Journal of the Acoustical Society of America 130 (4_Supplement), 2545-2545, 2011 | 40 | 2011 |
| Auditory spatial perception using bone conduction headphones along with fitted head related transfer functions TM Voong, M Oehler 2019 IEEE conference on virtual reality and 3D user interfaces (VR), 1211-1212, 2019 | 12 | 2019 |
| Impact of room acoustic parameters on speech and music perception among participants with cochlear implants B Eurich, T Klenzner, M Oehler Hearing research 377, 122-132, 2019 | 10 | 2019 |
| Physiological and acoustical correlates of unpleasant sounds C Reuter, M Oehler, J Mühlhans Proceedings of the Joint Conference ICMPC13-APSCOM5, 97, 2014 | 10 | 2014 |
| Die digitale Impulsformung als Werkzeug für die Analyse und Synthese von Blasinstrumentenklängen M Oehler (No Title), 2008 | 10 | 2008 |
| The octave illusion and handedness: A replication of Deutsch’s 1974 study M Oehler, C Reuter Musicae Scientiae 17 (3), 277-289, 2013 | 8 | 2013 |
| Comparison of Auditory Testing Environments for Car Audio Systems J Reimes, A Fiebig, T Deutsch, M Oehler Fortschritte der Akustik-DAGA, 2017 | 7 | 2017 |
| Tournament formats as method for determining best-fitting HRTF profiles TM Voong, M Oehler Int. Cong. on Acoust, 4841-4847, 2019 | 5 | 2019 |
| Colors and timbres—consistent color-timbre mappings at non-synesthetic individuals C Reuter, J Jewanski, C Saitis, I Czedik-Eysenberg, S Siddiq, M Oehler Proceedings of the 34th Jahrestagung der Deutschen Gesellschaft für …, 2018 | 5 | 2018 |
| Formanten als hilfreiche timbredeskriptoren für die darstellung von blasinstrumentenklängen C Reuter, I Czedik-Eysenberg, S Siddiq, M Oehler Proceedings of the 43. Conference of Acoustic (DAGA 2017), 190-193, 2017 | 5 | 2017 |
| Der klang der marken. Branchentypische psychoakustische eigenschaften von audiologos C Anzenbacher, I Czedik-Eysenberg, C Reuter, M Oehler Proceedings der 41. jahrestagung für akustik, 2015, Nuremburg, 928-931, 2015 | 5 | 2015 |
| Diminuendo al bottom—Clarifying the semantics of music notation by re-modeling M Lepper, M Oehler, H Kinzler, B Trancón y Widemann Plos one 14 (11), e0224688, 2019 | 4 | 2019 |
| Dynamic excitation impulse modification as a foundation of a synthesis and analysis system for wind instrument sounds M Oehler, C Reuter Mathematics and Computation in Music: First International Conference, MCM …, 2009 | 4 | 2009 |
| Vibrato experiments with bassoon sounds by means of the digital pulse forming synthesis and analysis framework M Oehler, C Reuter Audio Engineering Society Convention 123, 2007 | 4 | 2007 |
| Relevance of stimuli and test environment in the perceptual evaluation of car audio systems T Deutsch, J Reimes, A Fiebig, M Oehler Applied Acoustics 156, 404-415, 2019 | 3 | 2019 |
| Dynamics and low-frequency ratio in popular music recordings since 1965 M Oehler, C Reuter, I Czedik-Eysenberg Audio Engineering Society Conference: 57th International Conference: The …, 2015 | 3 | 2015 |
| Virtual wind instruments based on pulse forming synthesis M Oehler, C Reuter The Journal of the Acoustical Society of America 120 (5_Supplement), 3333-3333, 2006 | 3 | 2006 |
| Digital pulse forming: a new approach to wind instrument sound synthesis M Oehler, C Reuter Proceedings of the 9th International Conference on Music Perception and …, 2006 | 3 | 2006 |
| Relevance of Individual Numerically Simulated Head-Related Transfer Functions for Different Scenarios in Virtual Environments M Oehler, M do VM da Costa, M Regener, T Minh Voong Audio Engineering Society Conference: 2022 AES International Conference on …, 2022 | 2 | 2022 |
| The closer the better: The role of formant positions in timbre similarity perception and timbre classification C Reuter, I Czedik-Eysenberg, S Siddiq, M Oehler TIMBRE 2018 McGill Music Conference, Montreal, Canada, 2018 | 2 | 2018 |
