| Underground testing: Name‐altering practices as probes in electronic music G Formilan, D Stark The British Journal of Sociology 71 (3), 572-589, 2020 | 12 | 2020 |
| A methodological essay on the application of social sequence analysis to the study of creative trajectories G Formilan, S Ferriani, G Cattani Handbook of research methods on creativity, 329-350, 2020 | 9 | 2020 |
| Relations in Aesthetic Space: How Color Enables Market Positioning SV Sgourev, E Aadland, G Formilan Administrative Science Quarterly 68 (1), 146-185, 2023 | 7 | 2023 |
| Moments of identity: Dynamics of artist, persona, and audience in electronic music G Formilan, D Stark Theory and Society, 2021 | 5* | 2021 |
| Style Typologies and Competitive Advantage G Formilan Aesthetics and Style in Strategy 42, 19-47, 2021 | 5 | 2021 |
| Trajectories of Consecration: Signature Style and the Pace of Category Spanning G Formilan, G Cattani, S Ferriani Research in the Sociology of Organizations 75, 39-63, 2021 | 4 | 2021 |
| The Reluctant Preference: Communities of Enthusiasts and the Diffusion of Atypical Innovation G Formilan, C Boari Industrial and Corporate Change 30 (3), 823–843, 2021 | 4 | 2021 |
| Do you note me?: Social and cognitive dimensions of categorization in the evaluation of category-spanning creative products G Formilan, C Boari Organizing in the Shadow of Power, 555-606, 2018 | 3 | 2018 |
| Mapping legitimacy in the organization of fields: Semiotic systems and symbolic conversion G Formilan 6th Creative Industries Conference, 2022 | | 2022 |
David StarkProfessor of Sociology Columbia UniversityEmail verificata su columbia.edu
